Post-credit scenes: results for “tag: abandonment”

Image for Toy Story 5 (2026), a film that is not over when the credits roll.

When Bonnie receives a Lilypad tablet as a gift and becomes obsessed, Buzz, Woody, Jessie and the rest of the gang's jobs become exponentially harder when they have to go head to head with the all-new threat to playtime.

Bones and All (2022): nobody has checked the credits yet.

Abandoned by her father, a young woman embarks on a thousand-mile odyssey through the backroads of America where she meets a disenfranchised drifter. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.

Poster art for Miss Congeniality 2: Armed and Fabulous (2005), an open question on post-credit scenes.

After her triumph at the Miss United States pageant, FBI agent Gracie Hart becomes an overnight sensation — and the new "face of the FBI". But it's time to spring into action again when the pageant's winner, Cheryl, and emcee, Stan, are abducted.

Poster art for Kramer vs. Kramer (1979), an open question on post-credit scenes.

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.

Poster for The Whale (2022), blank on post-credit scenes.

A reclusive English teacher suffering from severe obesity attempts to reconnect with his estranged teenage daughter for one last chance at redemption.

Movie art for Strays (2023), post-credit scene unknown.

When Reggie is abandoned on the mean city streets by his lowlife owner, Doug, Reggie is certain that his beloved owner would never leave him on purpose. But once Reggie falls in with Bug, a fast-talking, foul-mouthed stray who loves his freedom and believes that owners are for suckers, Reggie finally realizes he was in a toxic relationship and begins to see Doug for the heartless sleazeball that he is.

Film artwork for Solo Mio (2026), no verdict on the credits.

After Matt's dreams of a picturesque Italian wedding are shattered when his fiancée leaves him at the altar, he embarks on his planned honeymoon across Italy alone, immersing himself in the country's vibrant culture, food, and beauty, meeting Gia along the way.

Poster, Oh, Canada (2024). Nobody has voted on this one.

Famed Canadian-American leftist documentary filmmaker Leonard Fife was one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Now in his late seventies, Fife is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.

Seduced and Abandoned (1964). Nobody has said whether there is anything after the credits.

The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde's fiancé, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father.

Poster, Forbidden Games (1952). Nobody has voted on this one.

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

Cover image for The Children Are Watching Us (1943), not yet voted on.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

Drive Inside (2024) poster. The count is still zero.

KYRIE and SHAKA come from two different worlds. Kyrie insists that no one picks him up directly from his home in East Cleveland and Shaka, who is far more well off, is more than willing to flaunt what he has and throw out money on the newest games and sneakers. Still, they are best friends trying to get through life together. Kyrie struggles to come out to his best friend before leaving for college. Shaka doesn't know how to tell Kyrie that he is moving to a different state. It's a story about humanity, politics, fear, and its consequences, all told from the perspective of two teens in East Cleveland, Ohio.

Cover image for Goodbye Words (2023), not yet voted on.

In the aftermath of a death, a home is cleaned out; the accumulation of a life is removed in bags and recycle bins. But what becomes of the collection of books? Laura Rantanen’s resoundingly moving and wistful documentary reflects on the end of life, what lingers behind, and the moments when a book breaks through the monotony to open the world around us.

Film artwork for On Air (2012), no verdict on the credits.

At 40, Molina is the most famous radio host in France: she hosts a nightly call-in show where she answers questions from callers with sexual and emotional problems. When she decides to look for her mother whom she never knew, she discovers her living in the suburbs.

Svědek (2002). Nobody has said whether there is anything after the credits.

An ordinary man witnesses a crime, he wants to do the right thing and help the victim to convict and punish the teenage perpetrators. He voluntarily testifies in court but this brave decision ultimately destroys his life, makes him lose his family and even the roof over his head.

Awaara (1951) poster. Still unanswered: is there a scene after the credits?

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

I Named You in Silence (2021) artwork. Still a mystery after the credits.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

Movie art for 7 Vidas (2025), post-credit scene unknown.

A community of cats lives in the Soledade Cemetery Park in Belém. "7 Vidas" follows these animals through a fictional letter written by one of them to his former owner. With real images of the cats among graves and trees, the film builds a sensitive narrative about abandonment, freedom and memory, revealing the poetry hidden in the coexistence between life and death.

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