Jo is wild, melancholic, only 15 and today she misses the school bus, once again. Her mother insists she doesn’t have a car, even though it’s parked outside. Furious, Jo tries to damage the car. Her mother intervenes, and that is the last time they will meet in the physical world – at least in body form. Throughout the day, subtle signs and symbols from the dream world quietly surface around her, but she fails to recognize them, indeed Jo is unaware that she is living the last day of her life.
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
Paying homage to the blazingly bizarre, boldly sincere life of Alfonso Ossorio (1916–1990), this docushort by Marianne Trench attempts a reflection on his life's work—most notably the 80-acre Long Island estate Ossorio left behind. It is an environment thoroughly extruded with pattern & motif, teeming with sculpture, topiary, bonsai, & works all but defying categorization. Across all its concomitant iterations, Ossorio's multidisciplinary stewardship of the land remains as four decades of evidence testifying to his aesthetic, ecological, & spiritual efforts. Ineffably beautiful & understandably brutal, archetypal powers unfold, revealing the fullness & emptiness of our own reflection—equal parts romantic & stark—leaving us to question how to continue or explain what has been started.
A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.
A mysterious entity closes in around John, keeping him trapped inside his house. The only thing protecting him from being crushed is the egg timer ticking down on his kitchen table.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
This documentary offers an intimate look at the life and legacy of American abstract expressionist Franz Kline. Through personal memories and reflections from those who knew him—such as fellow artist Willem de Kooning, de Kooning’s wife Elaine, and other contemporaries—the film paints a vivid portrait of Kline’s personality, artistic spirit, and lasting influence. Known for his powerful black and white compositions and bold brushwork, Kline is remembered not only for his art, but also for his wit, warmth, and passionate approach to painting. The episode explores both his creative process and the deep friendships that shaped his career.
Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.
Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.
Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera
The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.
A powerful and intimate portrait, Joan Mitchell: Portrait of an Abstract Painter captures Mitchell's independent spirit and testifies eloquently to Mitchell's art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York's dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O'Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film.
The movie chronicles a fragmented voyage through the mind and experiences of a person on a deeply depressive state trying to receive treatment.
This documentary takes a look at how intrepid 1960s musicians like Cornelius Cardew, Gavin Bryars and John Cage changed the sound of music by stuffing pianos with hay or leaving the choice of notes up to the rolling of the dice.
A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
An abstract film about loneliness during the time of the COVID-19 pandemic, filmed on location at Texas A&M University.
