Post-credit scenes: results for “tag: affection”

Dumbo (1941) artwork. Still a mystery after the credits.

Dumbo is a baby elephant born with over-sized ears and a supreme lack of confidence. But thanks to his even more diminutive buddy Timothy the Mouse, the pint-sized pachyderm learns to surmount all obstacles.

Babe (1995) cover. Nothing recorded about its credits.

Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hoggett knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.

Film artwork for Hancock (2008), no verdict on the credits.

Hancock is a down-and-out superhero who's forced to employ a PR expert to help repair his image when the public grows weary of all the damage he's inflicted during his lifesaving heroics. The agent's idea of imprisoning the antihero to make the world miss him proves successful, but will Hancock stick to his new sense of purpose or slip back into old habits?

The Freshman (1990): nobody has checked the credits yet.

After a film student gets his belongings stolen, he meets a mobster bearing a startling resemblance to a certain cinematic godfather. Soon, he finds himself caught up in a caper involving endangered species and fine dining.

All the Right Moves (1983): nobody has checked the credits yet.

Sensitive study of a headstrong high school football star who dreams of getting out of his small Western Pennsylvania steel town with a football scholarship. His equally ambitious coach aims at a college position, resulting in a clash which could crush the player's dreams.

Poster for Love Potion No. 9 (1992). No votes yet on whether it has a post-credit scene.

Unlucky in love, chemist Paul Matthews visits gypsy Madame Rosa for help. Quickly realizing he is a hopeless nerd, she gifts him with Love Potion No. 8, which makes anyone who wears it irresistible to the opposite sex for four hours. Paul and animal psychologist coworker Diane Farrow decide to test it on themselves. The awkward pair suddenly find themselves alluring to anyone they approach, but soon realize they are most attracted to each other.

Love & Basketball (2000) poster image. Zero votes so far.

Monica Wright and Quincy McCall grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball.

How the Grinch Stole Christmas! (1966). Nobody has said whether there is anything after the credits.

Bitter and hateful, the Grinch is irritated at the thought of a nearby village having a happy time celebrating Christmas. Disguised as Santa Claus, with his dog made to look like a reindeer, he decides to raid the village to steal all the Christmas things.

Film artwork for Jumbo (2025), no verdict on the credits.

Desperate to prove to his peers that he’s more than a chubby kid that never wins at anything, little Don wishes to win his local talent show by performing a stageplay inspired from a storybook written by his late parents. When unfortunately a bully stole that book, at the same time a little ghost appeared from the spirit world asking for Don’s help to reunite her with her parents’ spirits. The two new friends then embark on an exciting adventure to help each other and learn the true meaning of friendship.

The Buddy Holly Story (1978). Nobody has said whether there is anything after the credits.

A chronicle of the rise and brief career of rock 'n' roll star Buddy Holly, who aspires to play music the way he wants it to sound. Holly and his band, the Crickets, are first invited to record in Nashville, where they encounter creative differences with the producing staff. Later they play a major booking at the Apollo Theater, scheduled there under the mistaken assumption that they're a black band. Holly's career eventually goes solo -- until the tragic day the music dies.

Cover image for The Sand Castle (2024), not yet voted on.

Stranded on a deserted island, a family of four scavenges for survival as their past unravels, sending them into a downward spiral of painful events.

Key art for Serviced (2019), unanswered on the post-credit question.

Serviced explores touch based service businesses including cuddling, erotic massage, sex surrogacy and sex work. Meet the men who have foregone the 9-5 grind or are adding on a side-hustle service-based job. From cuddling to sex work we're looking at the world's oldest profession with eyes wide open.

Poster for Benji (1974). No votes yet on whether it has a post-credit scene.

Benji is a stray who has nonetheless worked his way into the hearts of a number of the townspeople, who give him food and attention whenever he stops by. His particular favorites are a pair of children who feed and play with him against the wishes of their parents. When the children are kidnapped, however, the parents and the police are at a loss to find them. Only Benji can track them down, but will he be in time? If he can save the day, he may just find the permanent home he's been longing for.

Movie poster for Serate (2025), waiting for its first vote.

a girl who feels less loved by her mother than her older brother.

Film poster, Just a Question of Love (2000). No post-credit verdict yet.

After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.

Crazed Fruit (1981) cover. Nothing recorded about its credits.

A working class young man, Tetsuo, who distrusts all rich people, falls in love with a girl, Chika, from an affluent family. He has a difficult time, but love survives despite the problems.

Poster for Normal Love (2023), awaiting its first vote.

Mike and Jeanne get to know each other, meet family and friends, touch each other, sleep together, go on holiday together, celebrate birthdays and say "I love you". What complicates things between them: their relationship is based on a contract of 14 clauses that are supposed to define all areas of being together. A small video camera is their constant companion.

Film artwork for The Greasy Strangler (2016), no verdict on the credits.

Ronnie runs a Disco walking tour with his son, Brayden. When a sexy woman takes the tour, it begins a competition between father and son for her love. It also signals the arrival of an oily strangler who stalks the streets at night.

Poster for AFFECTLESS (2026), blank on post-credit scenes.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.

Film artwork for Varg Veum - Yours Until Death (2008), no verdict on the credits.

Private eye Varg Veum is on a routine mission searching for his client Jonas Andresen's stolen car. The car is found having been used in a brutal robbery and not long after that the client himself turns up dead.

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