Post-credit scenes: results for “tag: anarchy”

Poster, Joker (2019). Nobody has voted on this one.

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Poster for Lord of the Flies (1963), awaiting its first vote.

Following a plane crash a group of schoolboys find themselves on a deserted island. They appoint a leader and attempt to create an organized society for the sake of their survival. Democracy and order soon begin to crumble when a breakaway faction regresses to savagery with horrifying consequences.

Image for The Day After (1983), a film with no post-credit data.

In the mid-1980s, the U.S. is poised on the brink of nuclear war. This shadow looms over the residents of a small town in Kansas as they continue their daily lives. Dr. Russell Oakes maintains his busy schedule at the hospital, Denise Dahlberg prepares for her upcoming wedding, and Stephen Klein is deep in his graduate studies. When the unthinkable happens and the bombs come down, the town's residents are thrust into the horrors of nuclear winter.

St Trinian's (2007): nobody has checked the credits yet.

When their beloved school is threatened with closure should the powers that be fail to raise the proper funds, the girls scheme to steal a priceless painting and use the profits to pull St. Trinian's out of the red.

American Cyborg: Steel Warrior (1993) poster image. Zero votes so far.

After the nuclear war people are sterile and ruled by the artifical intelligences they created in this violent world. The only woman who was able to give life to a child has to take the child through the dangerous city to the ship to save it. She is followed by an immortal killer robot through all the dangers, and only one guy tries to help her survive and protect her from the killing machine.

Cover image for Anarchy TV (1998), not yet voted on.

A group of anarchists use their public-access TV show to satirize the government until a right-wing preacher attempts to shut them down.

Poster, Time of the Wolf (2003). Nobody has voted on this one.

A middle-class family flees an unspecified disaster that has struck the city and takes refuge in their country home. They think this will allow them to escape the chaos, but they soon realize that getting away won’t be so easy.

Key art for ECO/FEMINISM (2024), unanswered on the post-credit question.

ECO/FEMINISM is an essay film that explores the philosophical theory, ‘ecofeminism’. The idea combines feminism and environmentalism and argues that the oppression of women and the degradation of the environment are interconnected and result from patriarchy and capitalism. This film imagines what a radical restructuring of systems, from patriarchy to matriarchy may look like, and dives into the historical roots of ecofeminism and how it is manifesting currently in climate activism.

Pinwydd (2025) artwork. Still a mystery after the credits.

Anthropomorphic manifestations of the hyperobjects of animal husbandry, millitarisation, forestry plantations and capitalist markets become combating characters in this poetic film. Rooted in the realities of landlordism, climate collapse, and extractivism, the film draws on sci-fi tropes and the Mabinogion myth of Blodeuwedd to rupture the seeming inevitability of capitalism.

Poster art for Delirium (2025), an open question on post-credit scenes.

A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.

The Reliant (2019) poster. The count is still zero.

Economic collapse causes widespread rioting and social unrest, leaving a lovesick 19-year-old girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, wondering why a good God would let this happen.

Film poster, Anarchists (2000). No post-credit verdict yet.

Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.

Poster art for Web #42 (2023), an open question on post-credit scenes.

Disjunctive fabric or network that collides, by means of re-appropriated or stolen resources, liberated archives that disrupt structures of power and institutions. Psychiatry and universities explode in an accelerated disruptive essay of archiving and post-archiving that coins “anarchoautism” as a flow of liberated desire. Through its form and politics of liberation, autistic and schizophrenic becomings imply a violent line of flight within institutional spaces.

Poster for ANOK! (2024). Never been answered.

After a devastating house fire, the all-girl punk band Girlgasm must put their differences aside to make it to Paris in time for their gig.

Folkbildningsterror (2014) poster. Still unanswered: is there a scene after the credits?

We follow the timid Theo, whose mother stands to lose her disability benefits. Help comes from the effortlessly flamboyant trans woman Kleopatra, a militant animal-identified posthumanist (a.k.a. Rabbit), and their fearless comrades. Together they reclaim social security for Theo’s mother, with the help of black magic and a comic shoot-out with the police. But fear not: “In order to break the symbolic connection between masculinity and power, everyone carrying a gun must wear a dress.” Then there’s the release of the animals from the Götenborg zoo, and much dancing and singing in between the organizing.

RED (2025) poster. The count is still zero.

An electricity blackout sent the world into panic. Cities and infrastructures were torn down, vegetation overgrown and populations desolated. A group of survivors tried to pick up the pieces of the broken world, but their moralities were overtaken by greed and wealth, now they control the city. A small group attempt to build a rebellion to fight against the corruption that has flooded through the city.

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