Post-credit scenes: results for “tag: antisemitism”

Key art for Sausage Party (2016), unanswered on the post-credit question.

Hot dog Frank leads a group of supermarket products on a quest to discover the truth about their existence and what really happens when they're chosen to leave the grocery store.

Vienna 1910 (1943) poster. Still unanswered: is there a scene after the credits?

Vienna 1910 is a 1943 German biographical film directed by Emerich Walter Emo and starring Rudolf Forster, Heinrich George and Lil Dagover. It is based on the life of Mayor of Vienna Karl Lueger. Its antisemitic content led to it being banned by the Allied Occupation forces following the Second World War.

Poster art for School Ties (1992), an open question on post-credit scenes.

When David Greene receives a football scholarship to a prestigious prep school in the 1950s, he feels pressure to hide the fact that he is Jewish from his classmates and teachers, fearing that they may be anti-Semitic. He quickly becomes the big man on campus thanks to his football skills, but when his Jewish background is discovered, his worst fears are realized and his friends turn on him with violent threats and public ridicule.

Movie poster for Au Revoir les Enfants (1987), waiting for its first vote.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

Poster art for Gloomy Sunday (1999), an open question on post-credit scenes.

Budapest in the 1930s. Restaurant owner Laszlo hires pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody sets off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans falls in love with Ilona as well.

Poster for The Little Girl Who Lives Down the Lane (1976). No votes yet on whether it has a post-credit scene.

13-year-old Rynn Jacobs lives in a New England beach town. Whenever the landlady inquires after Rynn's father, she claims that he's not available. But when the landlady's son, Frank, won't leave Rynn alone, she teams up with a neighbor Mario to maintain the dark family secret that she's been keeping to herself.

Cover image for Diary of a Chambermaid (1964), not yet voted on.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

Walk on Water (2004) artwork. Still a mystery after the credits.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Everything Is Illuminated (2005) cover. Nothing recorded about its credits.

A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.

Swing Kids (1993) poster. Still unanswered: is there a scene after the credits?

The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin tightening the grip on Germany. Each member of the group is forced to face some tough choices about right, wrong, and survival.

The Believer (2001) poster. Still unanswered: is there a scene after the credits?

A hardcore US racist skinhead who, because of his intelligence, leads a gang dedicated to fighting the enemy: the supposed American-Jewish conspiracy for domination. However, he's hiding a secret: he's Jewish-born, a brilliant scholar whose questioning of the tenets of his faith has left him angry and confused, turning against those who he thinks have a tragic history of their own making.

Love One Another (1922) artwork. Still a mystery after the credits.

A look at various lives, one of which is Jewish girl Hanne Liebe, as she grows up and experiences the pains of living as a Jew in Russia, leading to a revolution.

Poster for Cud purymowy (2000), blank on post-credit scenes.

A family of anti-Semites lives in Lodz. The husband is unemployed and poor. He believes that only true Poles can improve the situation in the country. His quiet wife believes what her husband does and says, while their son - the future of the nation - hates people who are different from himself. One day, the husband learns that his parents were Jewish. What's more, a distant relative from the US left behind a fortune to inherit. In order to get the money, the hero and his family must return to their roots. Their world is turned on its head...

Image for RN 72, à la conquête de l'Ouest (2026), a film with no post-credit data.

As the 2027 presidential election approaches, this documentary follows the National Rally's year-long effort to establish itself in western France. Led by close allies of Marine Le Pen, the strategy culminates in several municipal victories in 2026, including the party's historic first win in the western town of La Flèche.

Poster art for Toyland (2007), an open question on post-credit scenes.

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?

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