Post-credit scenes: results for “tag: arthouse”

Three Colors: White (1994). Nobody has said whether there is anything after the credits.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Poster art for Bramayugam (2024), an open question on post-credit scenes.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Film this! (2025). Nobody has said whether there is anything after the credits.

Two filmmakers must set aside their history to film a crucial scene. Egos clash and tensions rise as everything unravels before day's end. A film that could only have been made once, shot sequentially, without takes, always in character.

Blue (1993): nobody has checked the credits yet.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Movie poster for PYXIS, waiting for its first vote.

Pyxis and Malus are beings in search of reconnection as they navigate the unknowns of humanity and the planet Earth.

Image for The Exhibitor (2026), a film with no post-credit data.

As a series of mysterious murders plague nearby hotels and expos, growing suspicion surrounds a woman whose dark past and erratic behavior threaten to expose her dangerous secrets.

Movie art for Aeterna, post-credit scene unknown.

Aeterna is a movement-based film that explores the feeling of personal insignificance when confronted with the complexity of human existence. By combining choreography and cinematography, the film plays with distorting the human form, offering a visual representation of our place in the world.

Film artwork for Nozi (2023), no verdict on the credits.

Emotionally wounded, blaming her father for the loss of her mother. Nozi navigates through life hurdles in search of healing and peace through music.

Doina (2025) cover. Nothing recorded about its credits.

Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.

Poster for FIN (2023). No votes yet on whether it has a post-credit scene.

In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.

Poster art for Janus (2024), an open question on post-credit scenes.

A painter and model journey through time and space in a 1989 Mercedes Benz 300E. Attempting to paint the perfect portrait, their relationship and reality is stretched to the limit.

DABB (2026) poster. The count is still zero.

The year is 2035. Civil war rages in America, poverty at an all time high, but Fannar and Lilja are just going to a dinner party.

Film artwork for Hallucinations of War (2026), no verdict on the credits.

Emily returns home when her mother dies to only come across her estranged twin sister and her new boyfriend as they gaslight her into a new reality, fitting the boyfriend's needs.

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