Post-credit scenes: results for “tag: assimilation”

Movie poster for Sinners (2025), which has a post-credit scene according to 2 votes.

Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

Film poster, The Thing (2011). No post-credit verdict yet.

When paleontologist Kate Lloyd travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller.

Poster, Y2K (2024). Nobody has voted on this one.

Two high school nobodies make the decision to crash the last major celebration before the new millennium on New Year's Eve 1999. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.

Film artwork for The Mission (1986), no verdict on the credits.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

Poster for Metropole (2017). No votes yet on whether it has a post-credit scene.

Having arrived in Paris in 1985, Hector did everything to be like “them”. In a notebook he finds in his flat, he crosses out a list of things he should do or pay attention to if he wants to become part of the French elite. In a painful dialogue with Martin, his alleged son, Hector notices himself in Martin; a young man full of dreams and ideals that turn out not to be matched by reality. Metropole is a film about migration, about assimilation, about the haunting of one’s past. It is a film about identity; lost, assumed, false. Metropole tells the story of millions of people out there who leave their homes behind in order to find a new one.

Illegal Aliens (2026) poster. Still unanswered: is there a scene after the credits?

A group of migrants crossing the U.S.-Mexico border are spotted by Border Patrol agents hiding a terrible secret...

Image for Yaga (2025), a film with no post-credit data.

Yelena, a Russian woman, is dragged off to her in-laws' vacation home for Christmas for the umpteenth time. This time, a surprise awaits: a new Flemish sister-in-law, Valerie. Her rapid integration leads Yelena to suspect there's more to the family dynamic than she thought.

Bury My Heart at Wounded Knee (2007) cover. Nothing recorded about its credits.

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

Key art for Gaia (2021), unanswered on the post-credit question.

In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world.

JOHN (2026). Nobody has said whether there is anything after the credits.

After mistreatment at her law firm, a black female lawyer disguises herself as a white man.

Key art for The Settlers (2023), unanswered on the post-credit question.

Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.

Poster for 11:11 (2025), blank on post-credit scenes.

When 16-year-old Pakistani-American Noori’s wish at 11:11 to be her crush’s type goes awry, she’s magically transformed into a white, blonde, blue-eyed girl — and must undo the wish before losing herself completely.

Poster for Proteus (1995), blank on post-credit scenes.

Group of heroin smugglers finds shelter on abandoned oil rig after their ship had exploded. Soon they find that the oil rig was just cover for biological experiment. One of the results is Charlie - shape-shifting monster with ability to absorb the memory of its victims. However, even such creatures have their own bad habits.

Image for Ocean of Pearls (2008), a film with no post-credit data.

As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he's maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he'd turned his back on.

Cover image for Indian Horse (2018), not yet voted on.

Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.

Dreaming of a Jewish Christmas (2017) poster. Still unanswered: is there a scene after the credits?

An offbeat, irreverent musical documentary that tells the story of a group of Jewish songwriters, including Irving Berlin, Mel Tormé, Jay Livingston, Ray Evans, Gloria Shayne Baker and Johnny Marks, who wrote the soundtrack to Christianity’s most musical holiday. It’s an amazing tale of immigrant outsiders who became irreplaceable players in pop culture’s mainstream – a generation of songwriters who found in Christmas the perfect holiday in which to imagine a better world, and for at least one day a year, make us believe.

Cover image for Roots Unearthed (2024), not yet voted on.

A filmmaker embarks on a journey to his ancestral homeland, seeking to reconcile his present reality with the depths of his ancestral past.

Poster for Tiger (2017). Never been answered.

“I want to be a tiger. I am an atheist from Iraq and I am seeking asylum. About my hallucinations… It’s difficult. Horrible monsters. I hope I can help those who need help.” An episode of the animation series Mental images by Antonia Ringbom. The aim of these animated documentary short films is to reduce the stigma toward mental health problems and psychological disorders.

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