Post-credit scenes: results for “tag: authority”

Mortal Kombat: Annihilation (1997) cover. Nothing recorded about its credits.

A group of heroic warriors has only six days to save the planet in "Mortal Kombat Annihilation." To succeed they must survive the most spectacular series of challenges any human, or god, has ever encountered as they battle an evil warlord bent on taking control of Earth.

Poster for Rebel Without a Cause (1955), blank on post-credit scenes.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

Poster for The Experiment (2001). Never been answered.

20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.

Breaking the Waves (1996) poster image. Zero votes so far.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

Key art for Pump Up the Volume (1990), unanswered on the post-credit question.

Mark Hunter, a lonely high school student, uses his shortwave radio to moonlight as the popular pirate DJ "Hard Harry." When his show gets blamed for a teen committing suicide, the students clash with high school faculty and the authorities.

Poster for The White Ribbon (2009). No votes yet on whether it has a post-credit scene.

An aged tailor recalls his life as the schoolteacher of a small village in Northern Germany that was struck by a series of strange events in the year leading up to WWI.

La Strada (1954): nobody has checked the credits yet.

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.

Poster for Greater (2022). Never been answered.

A college student named Jean finds herself mysteriously engulfed within cyberspace, with no explanation of how to navigate its terrifying potential.

Movie art for Made in Britain (1983), post-credit scene unknown.

16-year-old skinhead Trevor has no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. Social worker Harry Parker tries his best, but Trevor is only interested when there's something in it for him. The centre authorities try to conform Trevor to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

Poster for The Proctor (2026), blank on post-credit scenes.

A 56-year-old man stuck repeating senior year since 1986 gets one last shot at graduation when a new state exam system forces him to face the test he's spent decades avoiding.

Monolith (1993). Nobody has said whether there is anything after the credits.

Two cops investigating the murder of a young boy become involved in a very secret project involving alien life. Needless to say, the authorities don't want them to stick their noses into this

Incident at Oglala (1992): nobody has checked the credits yet.

On June 26, 1975, during a period of high tensions on the Pine Ridge reservation in South Dakota, two FBI agents were killed in a shootout with a group of Indians. Although several men were charged with killing the agents, only one, Leonard Peltier, was found guilty. This film describes the events surrounding the shootout and suggests that Peltier was unjustly convicted.

Poster art for Delirium (2025), an open question on post-credit scenes.

A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.

Film artwork for Home Sweet Home (1974), no verdict on the credits.

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

Poster for King Lear (1953). No votes yet on whether it has a post-credit scene.

In this abridged television production, Lear vows revenge against his conniving daughters after they try to take swift control of his power.

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