Post-credit scenes: results for “tag: baby-snatching”

Movie art for Flightplan (2005), post-credit scene unknown.

Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter.

Key art for Ransom (1996), unanswered on the post-credit question.

When a rich man's son is kidnapped, he cooperates with the police at first but then tries a unique tactic against the criminals.

Film poster, Labyrinth (1986). No post-credit verdict yet.

Frustrated with babysitting on yet another weekend night, Sarah, a teenager with an active imagination, summons the Goblins to take her baby stepbrother away. When little Toby actually disappears, Sarah must follow him into a fantastical world to rescue him from the Goblin King. Guarding his castle is the labyrinth itself, a twisted maze of deception, populated with outrageous characters and unknown dangers.

Film artwork for Problem Child (1990), no verdict on the credits.

Ben Healy and his social climbing wife Flo adopt fun-loving seven year old Junior. But they soon discover he's a little monster as he turns a camping trip, a birthday party and even a baseball game into comic nightmares.

Film artwork for The Missing (2003), no verdict on the credits.

When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.

The Sugarland Express (1974) artwork. Still a mystery after the credits.

Married small-time crooks Lou-Jean and Clovis Poplin lose their baby to the state of Texas and resolve to do whatever it takes to get him back. Lou-Jean gets Clovis out of jail, and the two steal their son from his foster home, in addition to taking a highway patrolman hostage. As a massive dragnet starts to pursue them across Texas, the couple become unlikely folk heroes and even start to bond with the captive policeman.

Key art for Evil Angels (1988), unanswered on the post-credit question.

Based on the true story of Lindy Chamberlain who, during a family camping trip to Ayers Rock in central Australia, claimed she witnessed a dingo take her baby daughter, Azaria, from their tent. Azaria's body was never found and, after investigations and two public inquests, she is charged with murder.

Movie art for The Spirit of the Beehive (1973), post-credit scene unknown.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

Movie art for The Rescuers Down Under (1990), post-credit scene unknown.

A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry -- the Rescue Aid Society's top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat.

Key art for La Voleuse (1966), unanswered on the post-credit question.

Drama of an unmarried mother who regrets having had her child fostered and fights its foster parents to have it restored to her.

Poster for Never Let Go (2015), blank on post-credit scenes.

Former FBI agent, now single mother Lisa Brennan, takes a holiday to escape an unhappy love affair and painful family memories. But in a heartbeat, she is not only faced with a daughter kidnapped by human traffickers, but also faces murder charges and must keep one step ahead of the foreign police.

Film poster, Ghosts (2005). No post-credit verdict yet.

Nina, a mentally ill teenage orphan, starts a new job as a garden cleaner when she meets Toni. They fall in love but soon Toni starts betraying Nina. Meanwhile, Francoise is picked up at a Berlin psychiatric hospital by her husband, Pierre. After spotting Nina, Francoise believes that she has found her kidnapped daughter Marie, but no one believes her.

Poster for Stolen Baby: The Murder of Heidi Broussard (2023). No votes yet on whether it has a post-credit scene.

Based on a true story of best friends Magen and Heidi who have known each other for a decade. Pretending to be pregnant at the same time as her friend, Magen makes the journey from Houston to Austin to be by Heidi’s side once she learns she is ready to give birth. However, when Heidi goes missing with her newborn daughter just a few weeks after giving birth, suspicions about Magen’s loyalty and her true intentions are questioned. Authorities begin to suspect that she is hiding a huge secret as they begin to uncover her twisted and elaborate plan.

Poster for Julia (2008), awaiting its first vote.

An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's wealthy grandfather.

Poster for The Hitmen (2024), blank on post-credit scenes.

"The Hitmen" is a fun and highly entertaining Comedy/Crime mashup, about challenges to the loyalty and honor of two mob enforcers, and the decisions they must make that could be the difference between life and death........ including their own. "The Hitmen" blends high-stakes mafia action with comedic misadventure and delivers an engaging blend of crime and comedy, driven by sharp writing and strong performances. The authenticity and humorous story centers around the mob enforcers whose latest assignment takes a comedic twist when they find themselves caring for Carlucci’s infant son. The Hitmen not only showcases the talent and vision of its creators, but also serves as proof that independent productions can succeed on major platforms.

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