Post-credit scenes: results for “tag: banking”

Movie art for Gremlins (1984), post-credit scene unknown.

After receiving an exotic small animal as a Christmas gift, a young man inadvertently breaks three important rules concerning his new pet, which unleashes a horde of malevolently mischievous creatures on a small town.

Poster for The Banker (2020), awaiting its first vote.

In the 1960s, two entrepreneurs hatch an ingenious business plan to fight for housing integration—and equal access to the American Dream.

Inside Job (2010) artwork. Still a mystery after the credits.

A film that exposes the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, Inside Job traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia.

Capitalism: A Love Story (2009) cover. Nothing recorded about its credits.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Poster for The Forecaster (2014), awaiting its first vote.

MARTIN ARMSTRONG, once a US based trillion dollar financial adviser, used the number pi to predict economic turning points with precision. When some big New York bankers asked him to join the club to help them to take over Russia, he refused to join the manipulation. A few days later the FBI stormed his offices accusing him of a 3 billion dollar Ponzi Scheme - an attempt to stop him talking about the real Ponzi Scheme of debts that the US has build up over the years and which he thinks starts to collapse after October 1, 2015, a mayor pi turning point he is predicting.

Empire of Silver (2009) poster. Still unanswered: is there a scene after the credits?

In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

Movie poster for American Madness (1932), waiting for its first vote.

Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused of robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair... all in the same day.

Poster for Master of the Universe (2013), awaiting its first vote.

He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.

Movie art for The Family (1974), post-credit scene unknown.

Set in the post-World War II climate of the 1960s in Kobe, the movie explores the struggle for power within the powerful Manpyo family.

Holiday (2014): nobody has checked the credits yet.

A drama set in turbulent, turn-of-the-millennium Ecuador and centered on a young man who begins to develop complicated feelings for Juano after he saves him from a beating.

Poster, A Matter of Sex (1984). Nobody has voted on this one.

Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.

Key art for Maxed Out (2006), unanswered on the post-credit question.

Maxed Out takes us on a journey deep inside the American debt-style, where everything seems okay as long as the minimum monthly payment arrives on time. Sure, most of us may have that sinking feeling that something isn't quite right, but we're told not to worry. After all, there's always more credit!

Poster for Laboratory Greece (2019). No votes yet on whether it has a post-credit scene.

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

Movie art for Do You Believe in Angels? (1961), post-credit scene unknown.

Jan Froman is a young man with great plans for the future. He gets a job as an assistant janitor at a bank, but with inherited money he starts to buy and sell real estate which eventually increases in value. He falls in love with Margareta, whose father is a naval officer. Margareta is slighted by her fiance and follows Froman on a sailing trip in the archipelago. Plot by Mattias Thuresson.

The Flaw (2011) poster. The count is still zero.

The story of the credit bubble that caused the financial crash. Through interviews with some of the world's leading economists, including housing expert Robert Shiller, Nobel laureate Joseph Stiglitz, and economic historian Louis Hyman, as well as Wall Street insiders and victims of the crash including Ed Andrews - a former economics correspondent for The New York Times who found himself facing foreclosure - and Andrew Luan, once a bond trader at Deutsche Bank now running his own Wall Street tour guide business, the film presents an original and compelling account of the toxic combination of forces that nearly destroyed the world economy.

Cleveland Versus Wall Street (2010) artwork. Still a mystery after the credits.

On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism

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