Post-credit scenes: results for “tag: belgian”

Intrepid young reporter, Tintin, and his loyal dog, Snowy, are thrust into a world of high adventure when they discover a ship carrying an explosive secret. As Tintin is drawn into a centuries-old mystery, Ivan Ivanovitch Sakharine suspects him of stealing a priceless treasure. Tintin and Snowy, with the help of salty, cantankerous Captain Haddock and bumbling detectives, Thompson and Thomson, travel half the world, one step ahead of their enemies, as Tintin endeavors to find the Unicorn, a sunken ship that may hold a vast fortune, but also an ancient curse.

The world is a perplexing, peaceful mystery to Amélie until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family's housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family's idyllic life as foreigners in post-war Japan.

The evil knight Torchesac, who is at the service of the sinister lord of La Mortaille, gets a very powerful magic flute and uses it for evil purposes. Johan and Pirlouit, assisted by the magician Homnibus, travel to the land of the Smurfs, the only manufacturers of this sort of instrument, to get a new one and battle the usurpers.

The idea is a simple one: three alpinists climb in the Mont Blanc Massif. This situation brings one face to face with the dangers of the mountain: avalanches, crevasses, fog, the climbing of the rocks, roping up, etc. All of this is magnified, transcended by a remarkable and strong use of the language of cinema. One of the first films about high mountains with Roger Frison-Roche and magnificent music by Maurice Jaubert

A young Belgian girl, raised by her longtime nanny, flees Europe at the advent of World War I and travels to America to find her real mother.

Humiliated by a nightshop owner, a supposed alpha-male seeks retribution by robbing the store—with the reluctant help of his apathetic best friend.

In 2008, after a show celebrating the 20th anniversary of his fashion house, Maison Margiela, visionary designer Martin Margiela left the fashion world for good. Throughout his career, the Belgian designer remained anonymous, refusing interviews and never being photographed, leading some to call him the fashion world’s answer to Banksy. Now, more than a decade after his departure, Margiela digs into his meticulous and idiosyncratic personal archives to reflect on his revolutionary career and legacy.

In this film, Will Young travels to Magritte's native Belgium to find out more about the man whose trademark was a bowler hat and whose apparently conventional exterior concealed the mind of a subversive rebel. Will uncovers a childhood marked by tragedy, a marriage that lasted from Magritte's adolescence until his death in 1967, and a stunning artistic legacy which endures to this day.

Belgian movie-icon Marc Didden's artistic documentary about the houses he lived in throughout his life.

On January 2, 2019, Louis Tobback said goodbye to his mayorship of Leuven after 24 years. Time to look back on a long career that is anything but limited to Leuven. A career that sometimes feels like a thriller, sometimes as a drama, but is especially permeated by a big outrage for everything that goes wrong in our society. Journalists, political friends, opponents and other acquaintances look back on a political career that has been decisive for Belgiums post-war history.

Investigation by the Museum of Walloon Life showing the different stages of the manufacture of rifle barrels using the so-called "Damascus" process, in Nessonvaux in 1925 and 1931

Why We Fight? is a cinematographic film that tries to understand the violence around us, but also within ourselves, in order to better cope with the world today.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.