Post-credit scenes: results for “tag: bell”

Poster, The Polar Express (2004). Nobody has voted on this one.

When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.

Poster art for The Hunchback of Notre Dame (1996), an open question on post-credit scenes.

Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo. His first venture into the city leads him to Esmeralda, a fearless Romani woman whose defiance of Frollo's tyranny draws her—and Quasimodo—into his dangerous obsession.

Movie art for The Autopsy of Jane Doe (2016), post-credit scene unknown.

Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.

Andrei Rublev (1966) poster. The count is still zero.

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

A Bell for Adano (1945) poster. The count is still zero.

Major Joppolo and his men are assigned to restore order to the war-torn Italian town of Adano. He has to manage getting supplies into town without interfering with troop movements, all the while dealing with colorful citizens of the town. One of his quests is to replace the bell which orders the town's life.

Poster for After Life (1999). No votes yet on whether it has a post-credit scene.

On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.

Key art for The Long Ships (1964), unanswered on the post-credit question.

Moorish ruler El Mansuh is determined to locate a massive bell made of gold known as the "Mother of Voices." Viking explorer Rolfe also becomes intent on finding the mythical treasure, and sails with his crew from Scandinavia to Africa to track it down. Reluctantly working together, El Mansuh and Rolfe, along with their men, embark on a quest for the prized object, but only one leader will be able to claim the bell as his own — if it even exists at all.

Poster, Awaker (2017). Nobody has voted on this one.

At a time where there were no alarm-clocks, an old men worked as an awaker. Every day he walked the long way from his house to the village until he gets an old shiny bell.

Poster art for The Bells Toll for the Barefooted (1965), an open question on post-credit scenes.

A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose oflife or the possibility to be humane even in inhuma ne conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains. all protagonists find themselves in a liminal existential situation.

Poster for The Ringing Bell (2020). No votes yet on whether it has a post-credit scene.

Judah is a young man with a condition - he dreams while he's still awake. His imagination makes it difficult for him to process the loss of an important person in his life, so when his cousin contacts him with a ridiculous scheme to get at the riches of their eccentric Uncle Airmid who has disappeared, Judah agrees to go along with it.

Movie poster for Great Peter of York (1927), waiting for its first vote.

A large crowd and choir, on an historic day at York Minster, greet the arrival of a replacement big bell, watching and singing as labourers manfully slide the 10 ton bell off a truck.

Cover image for Fixation (2025), not yet voted on.

A struggling musician becomes horrifyingly fixated on a bell while practicing a song.

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