An anthology feature film exploring contemporary Black existence through the Pan-African flag: A collegiate football star scrambles to save his career after a devastating injury fractures his sense of self-worth; a Ghanaian single mother loses her job and faces deportation as an unlikely group of heroes rally around her; the lead of a struggling Black sitcom questions the cost of success as the network forces the show into racist caricature to boost ratings.
A young man in Oakland, California wakes with a heavy heart and decides to take a walk through the neighborhood to the local barbershop.
The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.
"Protected by the mountains that surround the neighbourhood, on the outskirts of the city of Sabará, Brazil, a group of young people are having fun on their motorcycles on a dead-end viaduct known by the residents of the region as ramal ferroviário".
I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.
Over the course of a single night, a convoy of cars carries intimate conversations on the representation of Black bodies in France.
An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.
Afros, braids or corn-rows--hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity. Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.
Lia prepares for the future. Whatever it may be.
Short documentary on Naila Rabel and her relationship with her body as she grew up having to navigate the stigma that fat people experience in our society.
Beneath the soft glow of a theater stage, a conversation unfolds — an unraveling of stories tethered to history, shaped by places, and refracted through memory. Words echo silence as the stage becomes a mirror, reflecting what is seen, what is unseen, and what is felt. A contemplation of the liminal.
Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.
