Post-credit scenes: results for “tag: blasphemy”

The Devils (1971) cover. Nothing recorded about its credits.

In 1634 France, charismatic Father Urbain Grandier becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.​​​​​​​​​​​​​​​​

Poster, Crescent City (2024). Nobody has voted on this one.

When a ruthless serial killer terrorizes a small Southern town, everyone becomes a suspect -- including local authorities. As the body count rises and the dark mystery deepens, the chief detective becomes haunted by the horrors of his past.

One Fast Move (2024): nobody has checked the credits yet.

A dishonorably discharged soldier seeks out his estranged father to help him pursue his dream of becoming a professional motorcycle racer. While training, he meets a small-town, aspiring singer and a motorcycle shop owner who begin to break down the walls his father's absence had built up.

Key art for The Holy Mountain (1973), unanswered on the post-credit question.

The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.

Poster art for Bad Boy Bubby (1993), an open question on post-credit scenes.

Bubby has spent thirty years trapped in the same small room, tricked by his mother. One day, he manages to escape and, deranged and naive in equal measures, his adventure into a modern and nihilistic life begins.

Cover image for Sirens (1994), not yet voted on.

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

Film artwork for Chariot (2022), no verdict on the credits.

Odd, eccentric specialist Dr. Karn guides unknowing patients through the reincarnation transition. When Harrison experiences mysterious recurring dreams, he turns to Dr. Karn for help and reveals his encounter with a woman he loved in a previous life. Noticing a glitch in the system, the doctor must fix the issue before permanently derailing his patient's future.

Image for Top Gunner: Danger Zone (2022), a film with no post-credit data.

An airliner filled with 800 passengers is forced to fly fast and low, above farmlands, suburbs and skyscraper-packed cities or the tons of explosives aboard will detonate. When an elite unit of US Air Force fighter jets is sent to provide escort, they find themselves facing a squadron of unidentifiable warplanes which ignites a deadly air battle that threatens to destroy all life above and below.

Key art for The Duel (2024), unanswered on the post-credit question.

When a friend group is torn apart by betrayal, they decide to settle their differences in the most old school of ways. Leaving their modern home of Los Angeles, they embark on a bizarre adventure that seemingly takes them back in time across an underground cave river. Cocaine. Existentialism. A four hundred and fifty pound pig. True love. Cosmic jokes. Mexico?

Ardisson, l'Homme en Noir : l'hommage (2025). Nobody has said whether there is anything after the credits.

This tribute program takes you back into the world of Thierry Ardisson, a particularly creative, provocative, and erudite host and producer. From "Tout le monde en parle" to "Salut les Terriens !", via "Lunettes noires pour nuits blanches", the program retraces his more than 40-year career and his extraordinary journey, featuring cult interviews, testimonials, and archive footage. Numerous guests will pay tribute to him and share their memories and anecdotes on set. Thierry Ardisson, "the man in black," shook up the French audiovisual landscape and left his mark on his era. The program is broadcast on all TV5 Monde channels and on TV5 Québec/Canada.

Movie poster for Top Gunner: America vs. Russia (2023), waiting for its first vote.

During a new age of tensions between America and Russia, an assassination attempt is made on the Russian president while visiting the White House. An enraged Russia scrambles jets over the Atlantic, forcing the U.S. to fill the sky with its own fighters trying to stop the high-tech SU-57 squadrons before they ravage Washington, D.C.

Julia (1999) poster. The count is still zero.

Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.

Cover image for La face cachée de l'homme en noir (2025), not yet voted on.

You've seen him interview Mikhail Gorbachev, Angelina Jolie, Robbie Williams, Mariah Carey, Brad Pitt, Jane Fonda, Robert De Niro... You know him, but you don't really know him. Everyone has talked about Ardisson without ever getting close to the truth about him. My ambition: to reveal the man behind the costume of "The Man in Black." I thought to myself: if anyone can figure him out, it's me, a journalist and portraitist who has lived with him for 15 years. Who is the private Thierry behind the spectacular Ardisson? What we discover is how much Ardisson's personal history reflects the eras he has lived through, their contradictions, their utopias, their excesses, their violence. Like so many facets of a man and of society at the turn of the century.

Lunacy (2005) poster. The count is still zero.

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

Poster for The Joys of Jezebel (1970), awaiting its first vote.

Satan lets Jezebel return to earth to deliver the soul of a blonde virgin named Rachel by taking over her body. However, Jezebel gets more than she bargained for.

Image for Holy Hell (2015), a film with no post-credit data.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like "Machete" and "Hobo with a Shotgun", HOLY HELL is a modern take on 60's and 70's B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

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