Post-credit scenes: results for “tag: boxing match”

Poster for Snake Eyes (1998). No votes yet on whether it has a post-credit scene.

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. Determined to solve the crime, he quickly learns that his search for answers will only uncover yet more questions in an ever-widening web of conspiracy, intrigue, and danger.

Poster for Nickel Boys (2024). Never been answered.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

When We Were Kings (1996) poster. Still unanswered: is there a scene after the credits?

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Poster for The Ring (1927), awaiting its first vote.

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

Film poster, The Greatest (1977). No post-credit verdict yet.

Muhammad Ali's life story up to the late 1970s, which includes his Olympic boxing triumphs as Cassius Clay, his conversion to Islam, his refusal of the Army draft and the legal battle after being stripped of his World Title.

Poster for Tiger Ghost (1959), blank on post-credit scenes.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

The All-American Boy (1973) artwork. Still a mystery after the credits.

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

Corbett and Courtney Before the Kinetograph (1894) cover. Nothing recorded about its credits.

This fight consists of six rounds, each round on a film 150 feet long. It's an actual contest between James J. Corbett, former champion of the world, and Peter Courtney. The films are listed as "1st Round", "2nd Round", "3rd Round", "4th Round", "5th Round", and "6th Round".

Poster art for Canvasback, an open question on post-credit scenes.

An actor and a journalist engage in three rounds of televised verbal sparring.

The Corbett-Fitzsimmons Fight (1897): nobody has checked the credits yet.

This legendary fight was filmed on March 17, 1897, using 63mm film that produced an aspect ratio of about 1.75:1. Using three adjacent cameras, Enoch Rector recorded the entire fight, simultaneously creating the world's first known feature film, as the resulting footage lasted over 90 minutes in length. About a quarter of the film survives today.

Leonard-Cushing Fight (1894): nobody has checked the credits yet.

In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures.

Film artwork for Dangerous Dan McFoo (1939), no verdict on the credits.

An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?

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