Post-credit scenes: results for “tag: brisbane”

Key art for Performance Anxiety (2008), unanswered on the post-credit question.

Jeff and Peter live together, but their characters are worlds apart. Jeff is a messy, hippy musician, while Peter is a tidy, almost obsessive, office worker. As a couple, they struggle for connection. While Peter finds pleasure in the steamy solitude of the shower, Jeff explores his sensual delights in an imaginary world of exotic dreams.

The Good Samaritan: nobody has checked the credits yet.

When successful entrepreneur Dr. Rosalind Carver and her husband Matt rescue a wounded man drifting off the coast of Indonesia, they believe they’re saving a life – not stepping into a deadly conspiracy. Within hours, their yacht vanishes, Matt is abducted, and paradise turns into a trap. Hunted by pirates and imprisoned by corrupt officials, Rosalind’s only hope lies in Sean Fuller, a private military contractor whose motives are as mysterious as his past. Together, they must navigate a maze of deceit and violence in a land where no one can be trusted.

Poster for He Died with a Felafel in His Hand (2001). Never been answered.

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.

Scattered People (2021). Nobody has said whether there is anything after the credits.

Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.

Image for Carnal Vessels (2025), a film with no post-credit data.

Two friends swap bodies the moment they fall in love and are thrust on different sexually-charged adventures as each other over one long, hot weekend.

Silent Night, Bloody Night: The Homecoming (2013) artwork. Still a mystery after the credits.

The abandoned home of Wilfred Butler, a wealthy but troubled man who committed suicide in 1987, has been willed to his grandson, Jeffrey. The house has sat in disarray since Wilfred's death, standing in the way of developers who want to turn the property into residential homes. Just before Christmas 2012, many years after Wilfred's death, Jeffrey and his lawyer appear in town to negotiate the sale of the property. But an Axe wielding maniac has set up residence in the house, and he doesn't take kindly to strangers.

Movie poster for Malice (2023), waiting for its first vote.

Keo Sinn and her university friends find themselves tormented by the ancient curse of the vengeful Nu Gui. As the malevolent spirit unleashes havoc, Keo is forced to confront her haunting past and unravel a tragic connection to the malignant figure known as Malice. Secrets will be unearthed and the boundaries of reality will blur in this harrowing tale of revenge. Brace yourself for a journey into the realm of supernatural obsession.

Key art for The Confession (2026), unanswered on the post-credit question.

As a priest listens to a distraught woman’s confession, he begins to realise she’s after more than forgiveness.

Praise (1999) poster. The count is still zero.

Gordon, a 25-year-old chain-smoking asthmatic who unhappily works at a Brisbane bottle shop, moves into a run-down residential hotel. He becomes embroiled in a romance with Cynthia, a former co-worker who suffers from eczema and low self-esteem. Gordon and Cynthia occupy themselves with drink, drugs, sex, and Scrabble. A love triangle arises when Gordon's former love, Rachel, comes back into his life.

Lace & Petticoats (2011) poster image. Zero votes so far.

A short documentary on Lolita fashion and subculture in Brisbane. 2010. Third Year BFA Film/TV Documentary Assessment.

100% PURE RAGE (2025) poster image. Zero votes so far.

A disillusioned author’s world collides when he crosses paths with a masked vigilante and a charismatic ex-convict scheming to take down a doomsday cult.

Film artwork for Blade Rollers (2024), no verdict on the credits.

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

Poster for The Alexander Ball (2022), blank on post-credit scenes.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

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