Post-credit scenes: results for “tag: camel”

Poster for Treasure Buddies (2012), awaiting its first vote.

In a race against a devious cat, the Buddies and their new friends, Cammy and Babi, must avoid booby traps, solve puzzles and explore a mysterious tomb - all in search of the greatest treasure known to animalkind!

Poster for Walkabout (1971), awaiting its first vote.

Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.

Poster art for The Last Remake of Beau Geste (1977), an open question on post-credit scenes.

Brothers Beau, John and Digby Geste join the Foreign Legion, where they fall under the rule of tyrannical Sergeant Markoff. Beau and John are assigned to Fort Zinderneuf, where Markoff tries to break their spirit, aware of a dark family secret concerning a fabulous jewel one of them carries. As tensions rise, Arabs attack the fort and rivalries must be thrown aside in a desperate battle for life.

Film poster, Ishtar (1987). No post-credit verdict yet.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

Raggedy Ann & Andy: A Musical Adventure (1977): nobody has checked the credits yet.

Raggedy Ann and Andy, along with other toys, reside in the nursery of a little girl named Marcella. During Marcella's seventh birthday, Babette, from France, is introduced as the new doll from a large package. When the lecherous Captain Contagious kidnaps Babette and escapes from the nursery, Ann and Andy must navigate the Deep Deep Woods to save her.

Image for The White Sheik (1952), a film with no post-credit data.

In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.

Poster art for Follow That Camel (1967), an open question on post-credit scenes.

Bertram Oliphant 'Bo' West wants to clear his unjustly smeared reputation, so he joins the Foreign Legion—with Simpson his manservant in tow. But the fort they get posted to is full of eccentric legionnaires, and there's trouble brewing with the locals too. Unbeknown to Bo, his lady love has followed him in disguise.

Image for Nearby Sky (2014), a film with no post-credit data.

Fatima Ali Alhameli was the first Emirati female camel owner to enter her camel in the country’s camel beauty pageant competition and participate in Abu Dhabi’s camel auctions. Her attempts faced stiff opposition from the organisers and society. However, she persisted as she was determined to represent Emirati women in this largely male bastion and keen on proving to the world that her gender would not hold her back. An inspiring film about a woman’s courage and pioneering spirit.

Film poster, The Big Animal (2000). No post-credit verdict yet.

When the circus leaves town, Zygmunt and Marysia unwittingly adopt a camel into their home. The couple quickly forms a close bond with the nameless camel, but as the bond grows stronger, their neighbors slowly begin to ostracize them.

Wills & Burke (1985): nobody has checked the credits yet.

Parody of historical epics that focuses on real-life Australian explorers William John Wills and Robert O'Hara Burkes, who tragically tried to cross the Australian continent from the south, to the north, a distance of 3,250 km.

Poster for The Three Kings (1987), blank on post-credit scenes.

The made-for-TV film stars Jack Warden, Lou Diamond Phillips and Stan Shaw as three patients in a Los Angeles-area mental institution. Dressed as the Three Wise Men for a Christmas pageant, the trio is suddenly struck with the delusion that they are really their Biblical counterparts on a quest to find the Baby Jesus. As TV cameras grind away, the three ersatz Kings surreptitiously ride out of the gates of the asylum—on camels—and into the mean streets of LA. As the story draws to its conclusion, the three escapees find themselves providing a Christmas miracle (but not in the form of rap) for a group of homeless people on the outskirts of the city.

Film artwork for Sahara Cross (1977), no verdict on the credits.

Jean Bellard and Carl Mank, two Western engineers supported by Hamid are in search of a terrorist group that murdered their colleague in the Tunisian desert.

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