Post-credit scenes: results for “tag: city symphony”

Poster for Berlin: Symphony of a Great City (1927). No votes yet on whether it has a post-credit scene.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Poster for Lines of Riga (2026). No votes yet on whether it has a post-credit scene.

A portrait of a modern city. Documented and artistically interpreted life in Riga unfolds over a single summer day. Dynamic shifts between three main characters – a food courier, a tram driver, and a young girl – reveal the inhabitants’ daily trajectories and interactions with the city. A mosaic of intermittent scenes highlights nuances often lost in everyday routines, capturing the rhythm of the city and its rich urban life beyond the limits of the story.

Cover image for Próxima Estação... (2026), not yet voted on.

Alex is a shy, antisocial young man who finds a refuge from his daily routine at the subway. During his wanderings, he meets Sofia, a woman who seems to see the world differently than he does. This unexpected encounter leads him to question the way he relates to himself and to others.

Movie poster for Sound Spring (2025), waiting for its first vote.

Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.

Cover image for One Crow Sorrow (2024), not yet voted on.

A personal city symphony where an eco-anxious soul explores the intersections of natural and artificial. The filmmaker’s internal conflicts are reflected through the contradictions of early spring. This experimental short documentary invites the viewer to take the time and truly pay attention to one’s surroundings.

Movie poster for Hidden Cities (2010), waiting for its first vote.

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

London Symphony (2017): nobody has checked the credits yet.

LONDON SYMPHONY is a brand new silent film - a city symphony - which offers a poetic journey through the city of London. It is an artistic snapshot of the city as it stands today, and a celebration of its culture and diversity.

Pikk Street (1966) poster. The count is still zero.

Pikk Street is one of the most important thoroughfares of Tallinn’s Old Town. The picture playfully combines hidden camera footage with more observational images, employing shots from unusual angles; these are accompanied by specific sounds and interesting musical themes. The result is a true cinematic adventure.

Poster for Symphony of a City (1947), blank on post-credit scenes.

An impressionistic short film celebrating Stockholm’s rhythms of life, blending images of its streets, waterways, people, and architecture into a visual “symphony.” Winner of the Academy Award (Oscar) for Best Short Subject, One-Reel in 1949 — the first Swedish film ever to receive an Oscar.

Interchange (2018) poster. The count is still zero.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

Poster for I Am Belfast (2016), awaiting its first vote.

Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.

Image for Broadway by Light (1958), a film with no post-credit data.

An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.

Key art for IMG 0000 (2023), unanswered on the post-credit question.

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

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