Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches.
In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.
Luminous traces obtained through in-camera optical manipulation of nocturnal imagery.
In a near-future world where petty thieves use the dark web to coordinate robberies, a destitute burglar is confronted with a malevolent presence in an apartment she found online.
A travelogue through the remains of São Paulo failing 80s economy, including its in ruins film industry.
How does the Tallinn old town look to a wanderer who has strayed off the main street and is discovering the courtyards on his own? Is it still the same city?
What happens when we meet in the street? Suddenly, mistakenly, intimately. Estranged, rushed, too much, too little, too late. Smiles, small talk, and promises.
A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.
A solitary woman walks through the eerie night-time landscape of Dublin's Cork Street, a street once quiet and residential, now a four-laned artery for city traffic. Memories are narrated which no longer match the present-day surroundings.
The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.
A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.
A triptych of found footage from the London Community Video Archive, seen through various masks that isolate the subjects. Women’s testimonies on domestic labour, violence and housing in the UK from the 1970s unfold on the screen. An eviction takes place on an image level. Featuring sound by Mark Fell, Koray Güçlü and Granül, and typography by Oliver Boulton.
Music by Austin Cesear, 16mm film by Paul Clipson.
