Post-credit scenes: results for “tag: coercion”

Hedda (2025) poster image. Zero votes so far.

Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

Breaking the Waves (1996) poster image. Zero votes so far.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

Poster, The Idiots (1998). Nobody has voted on this one.

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of 'idiots'. Their primary activity becomes going out into the world of 'normal' people and pretending to be mentally incompetent. They take advantage of this situation to create anarchy, and, by every possible means, to make those around them miserable.

Poster art for To Take A Wife (2004), an open question on post-credit scenes.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

Film poster, The Killing of a Chinese Bookie (1976). No post-credit verdict yet.

Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn't able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.

Poster for The Juror (1996). Never been answered.

Struggling single mother Annie Laird impulsively agrees to serve on a jury, hoping for a little excitement in her humdrum life. But she gets far more than she bargained for when she's forced to sacrifice the truth to save her son from the mob's seductive, psychotic enforcer.

The Best Man's Wedding (2000) artwork. Still a mystery after the credits.

Roro, a foreign worker in Swedish parks, loves his girlfriend but is about to marry another girl to prevent her from being sent back to Lebanon. Meanwhile, Roro's best friend, MÃ¥ns, has serious problems getting an erection.

Movie art for Meet the Feebles (1989), post-credit scene unknown.

Heidi the Hippo, star of 'The Feebles Variety Hour', discovers her lover Bletch the Walrus is cheating on her. And with all the world waiting for the big show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, Vietnam flashbacks, drug dealing, and murder.

Cover image for The Domino Principle (1977), not yet voted on.

Roy Tucker, a Vietnam war veteran with excellent shooting skills, is serving a long prison sentence when a mysterious visitor promises him that he will be released if he agrees to carry out a dangerous assignment.

Film poster, Snitch (2018). No post-credit verdict yet.

Sierra is a spy who loves cheesecake. She has a flavor to suit her every mood. Today her mood is bad. Her informant Austin has arrived. She wants answers. Will he give them freely or will she have to threaten him to get what she wants?

Movie poster for Fifty Pence (2012), waiting for its first vote.

Darren, a keen gambler, finds himself having to escort an unknown woman on the other side of Paris for a Mafioso. Struggling with the implications of his involvement in the affair, Darren is forced to reconsider his values.

Poster art for Turned Out: Sexual Assault Behind Bars (2004), an open question on post-credit scenes.

A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.

Film poster, Khadak (2006). No post-credit verdict yet.

Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.

Film artwork for The Public Pays (1936), no verdict on the credits.

In this MGM Crime Does Not Pay series short, a protection racket preying on milk distribution is broken through the persistence of law enforcement and the courage of a local businessman.

Cover image for Umbra of Deceit (2023), not yet voted on.

In the halls of power, a minister has fallen from grace. Government agent Beckett recruits a deadly operative Richards with a dubious past to restore control via coercion. As the power play unfolds, Beckett must confront the consequences of his choices while Richards seeks to safeguard his own interests.

Movie poster for Illicit (1931), waiting for its first vote.

Ann, a young woman with outrageously advanced ideas, has been living in sin with Dick, her lover, because of her conviction that marriage would destroy their love; but social pressure ends up paying off, so Ann and Dick get married.

Image for Ecstasy Behind the Forgotten (2022), a film with no post-credit data.

Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.

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