Post-credit scenes: results for “tag: colonisation”

Poster for Pocahontas (1995), awaiting its first vote.

Pocahontas, daughter of a Native American tribe chief, falls in love with an English soldier as colonists invade 17th century Virginia.

The Promised Land (2023) poster. The count is still zero.

Denmark, 1755. Captain Ludvig Kahlen sets out to conquer a Danish heath reputed to be uncultivable, with an impossible goal: to establish a colony in the name of the king, in exchange for a royal title. A single-minded ambition that the ruthless lord of the region will relentlessly seek to put down. Kahlen's fate hangs in the balance: will his endevours bring him wealth and honour, or cost him his life...?

Film poster, Magellan (2025). No post-credit verdict yet.

At the dawn of the modern era, Portuguese explorer Ferdinand Magellan leads an expedition under the Spanish crown in search of the first westward route to the Spice Islands. He embarks on a perilous journey across the uncharted Pacific, where his fleet faces starvation, mutiny, and the psychological toll of endless seas. Upon reaching the shores of Cebu, Magellan is pulled into a fatal conflict with the natives by his drive to spread Catholicism, culminating in his tragic doom.

Poster art for Once Upon a Time in China (1991), an open question on post-credit scenes.

In late 19th-century Canton, legendary hero Wong Fei-Hung battles foreign forces' (English, French and American) plundering of China. When Aunt Yee returns from America totally westernised, Wong assumes the role of protector. This proves difficult when his martial arts school and local militia become involved in fierce battles with foreign and local governments. As violence escalates, even Aunt Yee has to question her new western ideals, but is it possible to fight guns with Kung Fu?

Film artwork for The Mission (1986), no verdict on the credits.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

Film artwork for Once Upon a Time in China II (1992), no verdict on the credits.

Wong Fei-Hung faces the White Lotus Society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend revolutionary Dr. Sun Yat Sen from the military.

Poster for Once Upon a Time in China and America (1997), awaiting its first vote.

So goes to the U.S. to open a martial arts school. Around this time, many Chinese people were sold off to U.S. railroad companies, and were brutally treated by the Americans under the harsh working conditions. Thus, the American workers' hatred towards the Chinese immigrants is high. As a result, So gets into trouble with the Americans and the mob, and calls Master Wong for help.

Poster art for Aztec Batman: Clash of Empires (2025), an open question on post-credit scenes.

In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.

Poster for No Other Land (2024). No votes yet on whether it has a post-credit scene.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

Film poster, Waiting for the Barbarians (2020). No post-credit verdict yet.

At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.

Poster for All That's Left of You (2025), blank on post-credit scenes.

After a Palestinian teen gets swept up into a West Bank protest, his mother recounts the family story of hope, courage and relentless struggle that led to this fateful moment.

The Nightingale (2018). Nobody has said whether there is anything after the credits.

In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.

Embrace of the Serpent (2015) poster image. Zero votes so far.

The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.

Poster art for Fort Saganne (1984), an open question on post-credit scenes.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

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