Post-credit scenes: results for “tag: colorized”

Poster, Godzilla (1977). Nobody has voted on this one.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

Key art for Plan 9 from Outer Space (1957), unanswered on the post-credit question.

In California, an old man grieves the loss of his wife, and dies the day after she is buried. However, the space soldier Eros and his mate Tanna use an electric device to resurrect them both, alongside the strong Inspector Clay, who was murdered by the alien-controlled dead couple. When the populations of Hollywood and Washington D.C. see flying saucers on the sky, a colonel, a police lieutenant, a commercial pilot, his wife, and a policeman try to stop the aliens.

Image for Earth vs. the Flying Saucers (1956), a film with no post-credit data.

Test space rockets exploding at liftoff and increased reporting of UFO sightings culminate in a direct attempt by alien survivors of a dead, extra-galactic civilization to invade Earth from impervious flying saucers, using ray-weapons of mass destruction.

Poster for Hitler’s Games: Berlin 1936 in Colour (2026), blank on post-credit scenes.

In 1931, Germany was awarded the Olympic Games in the hope this would draw them into the international community and world peace would be promoted through sport. For two weeks in August 1936 cameras captured the world’s greatest sporting spectacle, including the Gold Medal triumphs of record-breaking sprinter Jesse Owens. The Berlin Olympics were groundbreaking – many innovations introduced in 1936 such as television coverage and the torch relay became part of every subsequent Games. Hitler’s Games in Colour tells the story of the remarkable amateurs who excelled, but also how Hitler used the Games as propaganda for his brutal regime, to show the Nazis as benign and their military ambitions as modest. Using black and white archive, transformed by cutting-edge restoration and colourisation, this is the story of 16 days that fooled the world…

Poster for Doctor Who: The Daleks in Colour (2023), awaiting its first vote.

The very first crew of the TARDIS land in a petrified forest on an alien planet. Determined to explore, the Doctor leads his companions into the metal city, where they discover danger at every corner and what will become his deadliest enemy... the mutant Daleks. It's time to encounter the Daleks once again, but this time in a way you've never seen them before. Originally transmitted in December 1963 to February 1964, the seven original episodes of the first Dalek story have received a cosmic makeover, dazzlingly colourised and woven together into a 75-minute blockbuster with brand-new sound and a brand-new score created by Mark Ayres. The Daleks has been gloriously updated, whilst ensuring the original story remains as thrilling as it was in 1963.

Image for The Merry Frolics of Satan (1906), a film with no post-credit data.

Two travellers are tormented by Satan from inn to inn and eventually experience a buggy ride through the heavens courtesy of the Devil before he takes one of them down to Hell and roasts him on a spit.

Poster for Tutankhamun In Colour (2020), blank on post-credit scenes.

The BBC version of "King Tut In Color" documentary. A century after the world’s most exciting archaeological find - the tomb of Tutankhamun - we can witness the dramatic scenes of its discovery and marvel at its extraordinary treasures exactly as they were then, in colour.

Key art for Loïe Fuller (1901), unanswered on the post-credit question.

Serpentine dance with stenciled rainbow coloring, in the style of Fuller. Dancer unidentified. Pathé film no. 766a.

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