Post-credit scenes: results for “tag: compulsion”

Poster for Swallow (2020), blank on post-credit scenes.

Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.

Key art for Passages (2023), unanswered on the post-credit question.

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

Bloom (2026). Nobody has said whether there is anything after the credits.

When Lily inherits her great aunt's struggling desert nursery, she devotes herself to bringing it back to life. As her garden flourishes, her need to sustain it becomes something she can no longer control.

Ed (2025) artwork. Still a mystery after the credits.

A college student is forced to confront his secret addiction after an unexpected run in with a familiar friend.

Poster art for Terror Among Us (1981), an open question on post-credit scenes.

A convicted rapist continually violates his parole but slips through the cracks of the justice system until his crimes escalate into a frenzy of terror against five helpless women.

Poster for The Other Woman (2002), blank on post-credit scenes.

A wealthy lady can't find a satisfying physical relationship with her husband and she starts acting in porn films using a different identity supplied by a close friend. Soon things goes out of control as it turns out that she is driven by the uninhibited sex and can't control her compulsion.

Film artwork for How I Learned to Love the Numbers (2014), no verdict on the credits.

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Symbol (2012) poster. Still unanswered: is there a scene after the credits?

A man who is fascinated with patterns and symbols discovers his one true path to enlightenment.

Poster for The Thrill of Speed. No votes yet on whether it has a post-credit scene.

After a shift at a refinery, four coworkers decide to go out and get drinks. After stopping at a gas station for supplies, they head to the riverfront, where they split into two journeys. Raul and Thom descend deeper into the river's towering industrial wasteland, while Robert and Michael slowly drink themselves stupid. When the two pairs reunite, a final clash of priorities emerges: some want to go home, while others cannot face returning to the routine waiting for them.

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