Post-credit scenes: results for “tag: computer simulation”

Poster for TRON: Ares (2025). Worth waiting through the credits, say 2 votes.

A highly sophisticated Program called Ares is sent from the digital world into the real world on a dangerous mission, marking humankind's first encounter with A.I. beings.

Poster art for TRON: Legacy (2010), an open question on post-credit scenes.

Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world.

Tron (1982). Nobody has said whether there is anything after the credits.

When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world and becomes part of the very game he is designing. In his mission through cyberspace, Flynn matches wits with a maniacal Master Control Program and teams up with Tron, a security measure created to bring balance to the digital environment.

Key art for Levels (2024), unanswered on the post-credit question.

After witnessing his girlfriend's murder, a man risks everything - including reality itself - to discover the truth.

Image for The Thirteenth Floor (1999), a film with no post-credit data.

In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.

S1m0ne (2002): nobody has checked the credits yet.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.

Hyperland (1990): nobody has checked the credits yet.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

Save the Titanic With Bob Ballard (2012) cover. Nothing recorded about its credits.

Robert Ballard has been living and breathing the Titanic since he was part of the team that discovered it in 1985. In Save the Titanic With Bob Ballard, he revisits the iconic ship in an entirely different way—from the perspective of those who set sail on it some 100 years ago. Ballard travels to the shipyards of Northern Ireland to retrace the path of the doomed ship from its very incarnation. Throughout his journey, Ballard is driven by one personal question—will the Titanic survive another 100 years? As evidence mounts that the ship is under siege by natural forces, careless visitors, and even rogue salvage operators, the man who found it teams with the families of victims and survivors to protect the legacy of history’s most famous ship.

Glitche (2020): nobody has checked the credits yet.

Glitche is experiencing programming errors. Please avoid all drug.exe. Be aware of these side-effects in your personalized simulation: ›/suicidal behavior ›/increased violent and sensual behavior ›/extreme pain and rotting of the skin ›/sudden and complete amnesia ›/hallucinations

Film artwork for Ayahuasca: Kosmik Journey (2019), no verdict on the credits.

What happens when indigenous healing rituals and immersive technology converge? Inspired by his own experiences with ayahuasca, a plant infusion traditionally used in healing and self-discovery ceremonies by peoples of the Amazon, director Jan Kounen embarks on a spiritual, visual journey. He attempts to capture the physical and hallucinatory states of such a ceremony on film.

Movie art for The Sordid Affair (1973), post-credit scene unknown.

At the height of the Watergate scandal on April 30, 1973, President Richard Nixon delivered his first major speech broadcast live from the White House, addressing the charges being made against his Presidency. Produced by Dimitri Devyatkin, with Walter Wright on synthesizer, the video is an overlay of mesmerizing computerized animations that reflect upon the speech.

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