Post-credit scenes: results for “tag: consumption”

Film artwork for Logistics (2012), no verdict on the credits.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Key art for Mémé (2023), unanswered on the post-credit question.

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

Cover image for New Kahnawake, not yet voted on.

Incorporating poker, challenges to the law, a struggle for the control of a new territory where the stakes are high, New Kahnawake experiments with fiction and documentary. Drawing on western-style analogies, it explores both our relationship to the figure of the Indigenous People and the confusion of our perception of space that new information technology has brought about.

Detritus poster. Still unanswered: is there a scene after the credits?

“Detritus” is a visual experience that observes Barcelona through the waste left behind by its inhabitants: furniture, paper, plastic, and other urban debris. The accumulation of all these often overlooked remnants shapes the portrait of a dirty city, built on a model of constant consumption, where garbage becomes yet another layer of a cold and polluted landscape defined by what we leave behind.

Poster for The Noise of Time (2024), awaiting its first vote.

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Cover image for The Story of Stuff (2007), not yet voted on.

For most of the world, consumption has been the unquestioned duty of every individual. Then garbage activist Annie Leonard brought her two-hour lecture to Free Range who helped her turn it into a 20-minute animated revolution. Shown in thousands of classrooms, endlessly blasted by Fox News, viewed more than 10 million times, The Store of Stuff finally opens the door to a serious cultural dialog about the costs of consumption.

Aspects of Fake Life artwork. Still a mystery after the credits.

In a world where the real and the virtual overlap, a character tries in vain to escape the solitude in which spectacular-market society envelops us in.

Poster, Julienne of Light Bulbs (2024). Nobody has voted on this one.

In a magicians’ private stand-off, two practitioners must brave tricky challenges to demonstrate a hidden ability. They conjure animal illusions, consume light bulbs, and face the choice between antagonism and friendship.

Movie art for World Trade Opera, post-credit scene unknown.

"8 minutes and 50 seconds. We have released 375,000 tons of carbon dioxide into the atmosphere. Trees have produced 171,000 tons of oxygen." This travelling-film exposes the state of the world through a real-time chronology of planetary processes. World Trade Opera is a multilingual work in which the artist explores the expressive possibilities of digital tools in order to create a visual and sound incantation. It stretches from global perspectives to micro-perceptions, from the communication of meaning to impenetrable saturation.

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