Post-credit scenes: results for “tag: contract”

Poster art for Repo Men (2010), an open question on post-credit scenes.

In the future, medical technology has advanced to the point where people can buy artificial organs to extend their lives. But if they default on payments, an organization known as the Union sends agents to repossess the organs. Remy is one of the best agents in the business, but when he becomes the recipient of an artificial heart, he finds himself in the same dire straits as his many victims.

Movie poster for Manderlay (2005), waiting for its first vote.

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays to liberate the people and see them through their first harvest. With four of her father's colleagues and a lawyer, she faces the daunting task of resurrecting the place known as Manderlay.

The Little Bather (1968) poster image. Zero votes so far.

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires in yet another tantrum his designer André Castagnier, not realizing that man is his only chance to land a vital contract with the Italian magnate Marcello Cacciaperotti. So he has to find him at his extremely rural birthplace in 'la France profonde', which proves a torturous odyssey for the spoiled rich man; when he does get there his torment is far from over: the country bumpkin refuses to resume his slavish position now the shoe is on the other foot, so Fourchaume is dragged along in the boorish family life, and at times unable to control his temper, which may cost him more credit then he painstakingly builds up...

Film artwork for Family for Rent (2015), no verdict on the credits.

Forty-year-old Paul-André is a timid, rather introverted man. Rich but alone, he is deeply bored and ends up concluding that what he needs is a family. Violette, a forty-year-old full of energy, is threatened with eviction and is afraid she'll lose custody of her two children. Paul-André then proposes a totally above the board contract to rent the family in exchange for him paying off Violette's debts. For better and for worse..

Winds of the Wasteland (1936). Nobody has said whether there is anything after the credits.

The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or stageline owner Drake get the government mail contract.

Poster for 31 Days (2013), blank on post-credit scenes.

31 Dias (31 Days) is the story of Eva (Irán Castillo), a young and beautiful psychologist and author of a series of self-help books about modern women and their love relationships. For her next bestseller she has decided to prove her most daring theory: After the first 30 days together love ends, so the only way to have a meaningful relationship in this new millennium is when the couple part ways after the first month. At a magazine's photo session Eva meets Adam (Lorenzo Balducci), an attractive Italian photographer, and she decides he's perfect as her study subject. She will live a very intense relationship with Adam during 31 days, in order to prove her theory is right. However, what she is not aware of is that Adam is using her own advice from her books in order to make her fall in love with him and teach her a lesson. What neither of them suspects is that they'll come to learn that love has no rules.

Poster for The Cookout (2004). Never been answered.

When Todd Anderson signs a $30 million deal with his hometown team, the New Jersey Nets, he knows that his life is set for a big change. To keep things real, he decides to throw a barbeque at his place -- just like the ones his family used to have. But when you have new and old friends, family, agents, and product reps in the same house, things are bound to get crazy.

The Mad Magician (1954) poster. The count is still zero.

Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.

Poster, The List (2007). Nobody has voted on this one.

A sudden death tied to a list from the past leads to unimaginable evil. Fresh out of law school and full of hope for the future, Renny Jacobson is stunned by his father's sudden death--and then by the terms of the will: the elder Jacobson has left the bulk of his estate to charity.

Poster for Prey for Rock & Roll (2003). No votes yet on whether it has a post-credit scene.

In late 1980s Los Angeles, Jacki and her all-girl punk rock band, Clam Dandy, are trying to make it big. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom.

Film artwork for God's Country and the Woman (1937), no verdict on the credits.

Hard-nosed Jefferson Russett runs a logging company; his brother, Steve, is the prodigal son. Steve becomes stranded on the competition's property and slowly learns the business and of his brother's dirty tricks.

Poster for Hot Rhythm (1944). No votes yet on whether it has a post-credit scene.

Jimmy O'Brien (Robert Lowery)and Sammy Rubin (Sidney Miller), write jingle commercials for radio, and meet Mary Adams (Dona Drake), who wants to break into radio as a soloist for a band.

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