Post-credit scenes: results for “tag: convent”

Key art for The Nun II (2023), unanswered on the post-credit question.

In 1956 France, a priest is violently murdered, and Sister Irene begins to investigate. She once again comes face-to-face with a powerful evil.

Small Things Like These (2024) poster. The count is still zero.

In 1985, while working as a coal merchant to support his family, Bill Furlong discovers disturbing secrets kept by the local convent and uncovers truths of his own; forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church.

Film artwork for Gloria! (2024), no verdict on the credits.

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

Poster art for Story of a Cloistered Nun (1973), an open question on post-credit scenes.

Refusing an arranged marriage, young aristocrat Carmela is sent to a convent. Her arrival intensifies the power struggle between the debauched nun Elizabeth and the stern Mother Superior, as both are smitten by Carmela's beauty.

Film artwork for Holy Days (2026), no verdict on the credits.

When young Brian discovers plans to close a convent of delightfully eccentric nuns, he sets off with them on a wild road trip across New Zealand to save their home.

Casket Girls poster. Still unanswered: is there a scene after the credits?

Detective Shay Williams and her partner become trapped inside the Ursuline Convent with a group of tourists when the Casket Girls escape from their attic prison for the first time in over 300 years.

The Duchess of Langeais (2007) poster. Still unanswered: is there a scene after the credits?

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

Key art for Picture Mommy Dead (1966), unanswered on the post-credit question.

Susan Shelley is released from an asylum where she's been confined to after the shock suffered over the fiery death of her mother. Her father has a new wife, who has only married him for the money left to him by his dead wife. Susan is still haunted by her mother's memory, and her step-mother is conspiring with her lover to get the troubled girl to lead them to her mother's missing diamond necklace.

Making Of A Prostitute (1971) artwork. Still a mystery after the credits.

A drama directed by Gustav Ehmck, a teenager lays a small bundle on the tracks, but before the oncoming train can cross it, an older woman saves the baby from certain death. She keeps little Sophie with her and raises her to be a well-behaved girl.

Poster art for Kristin Lavransdatter (1995), an open question on post-credit scenes.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

Cover image for Ants' Nest (1971), not yet voted on.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

Film artwork for No Returns (2020), no verdict on the credits.

Karina and Emilia are two young novices who live in a religious order. Emilia has a deep and strong vocation while Karina is a youthful rebel who hides from justice behind the doors of the convent. Once she notices the police is increasingly closer, Karina asks Emilia to help her orchestrate an escape.

A Sweet Tale (2024): nobody has checked the credits yet.

A young woman opens an old family cookbook. From the pages appear miniature nuns in pop-up illustrations. The nuns come to life, jumping out of the book, and help the woman prepare convent sweets recipe for her bakery.

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