Post-credit scenes: results for “tag: coproduction”

Poster for Invasion of Astro-Monster (1965), blank on post-credit scenes.

Astronauts Glenn and Fuji investigate Planet X and encounter mysterious aliens known as the Xiliens, who ask Earth's people to help save their world from "Monster Zero". In exchange for borrowing Godzilla and Rodan, the Xiliens offer a cure for cancer. As Glenn investigates, he develops a romance with Miss Namikawa and uncovers the Xilien's true intentions.

Movie art for King Kong Escapes (1967), post-credit scene unknown.

An adaptation of the Rankin/Bass cartoon, "The King Kong Show". King Kong is brought in by the evil Dr. Who to dig for Element X in a mine when the robot Mechani-Kong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle atop Tokyo Tower.

Poster art for Latitude Zero (1969), an open question on post-credit scenes.

A massive underwater volcano erupts and puts a group of investigative scientists in danger. They are rescued by an atomic super submarine named The Alpha under the command of Captain McKenzie. The group is quickly taken to a vast underwater city known as Latitude Zero, a fantastic, Atlantean type utopia, a world beneath the ocean with its own sun. It is soon discovered that Captain McKenzie is at war with the evil Dr. Malic, a cruel scientist who wishes to rule mankind all the while conducting genetic experiments on humans and animals. Malic sends his agents to kidnap Dr. Okada, a human scientist who has created a serum that can immunize exposure to radiation.

Hanuman and the Seven Ultramen (1974). Nobody has said whether there is anything after the credits.

After a valiant Thai boy is brutally murdered by a gang of archeological looters, his soul is joined with the Hindu god Hanuman, who teams up with Ultraman and his brethren against familiar Ultra-foes unleashed by a weather control experiment gone awry, in this influential Thai-Japanese co-production.

Funfair (2026): nobody has checked the credits yet.

A young woman struggles with her aching wisdom tooth and the challenges of adulthood. Her inner struggles come to life in a surreal amusement park where she unexpectedly stumbles one day. This inner journey shakes her out of her daily anxiety and helps her embark on a journey towards more conscious self-care.

Poster for The King's Necklace (2011). No votes yet on whether it has a post-credit scene.

Once upon a time, there was a queen who decided to return a sacred necklace that belonged to one of her ancestors. This necklace, she believes, will bring balance and prosperity to her people. Once upon a time, there was a scientist dedicated to ecosystem conservation who works to reintroduce wolves into the country. Once upon a time, there was a young orphan raised with a lion who refuses to be parted from him. This is the story of three homecomings that fate will bring together in an adventure spanning France and Gabon.

Space Warriors 2000 (1985) poster. Still unanswered: is there a scene after the credits?

"In the hands of a small boy of pure heart, a space warrior doll magically comes to life and flies to join other warriors of the Galaxy Council. In outer space they battle hideous alien monsters who are bent on destroying the planet Earth." - Cinema Shares Trade Description. An English re-edit of "Hanuman and the Eleven Ultramen" (หนุมาน พบ 11 ยอดมนุษย์, 1984). Hanuman and the Eleven Ultramen is a reissue of Hanuman and the Seven Ultramen (1974) that uses footage from "ULTRAMAN ZOFFY" (1984)

Cover image for Lucky Dragon No. 5 (1959), not yet voted on.

An ageing fishing boat, Dai-go Fukuryu Maru ("Lucky Dragon No. 5") sets out from the port of Yaizu in Shizuoka Prefecture. It travels around the Pacific line fishing. While the ship is near Bikini Atoll, the ship's navigator sees a flash. All the crew come up to watch. They realize it is an atomic explosion, but take time to clear their fishing gear. A short time later, grey ash starts to fall on the ship. When the ship returns to port the sailors have been burned brown. They unload the fish, which are then transported away. They visit the local doctor and then go to Tokyo for an examination. It turns out they are all highly radioactive. Their symptoms become worse, and the contaminated fish causes a panic.

Movie art for Oye, We're from Here Too, post-credit scene unknown.

Through small yet meaningful anecdotes and reflections, a handful of individual voices come together to form a collective narrative that speaks to the everyday lives and challenges of Latinos who have grown up in the contemporary US South.

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