Post-credit scenes: results for “tag: count”

Movie poster for The Count of Monte Cristo (2024), waiting for its first vote.

Edmond Dantès becomes the target of a sinister plot and is arrested on his wedding day for a crime he did not commit. After 14 years in the island prison of Château d’If, he manages a daring escape. Now rich beyond his dreams, he assumes the identity of the Count of Monte-Cristo and exacts his revenge on the three men who betrayed him.

Poster for The Castle of Cagliostro (1979), blank on post-credit scenes.

After a successful robbery leaves famed thief Lupin the Third and his partner Jigen with nothing but a large amount of expertly crafted counterfeit bills, he decides to track down the forgers responsible—and steal any other treasures he may find in the Castle of Cagliostro, including the 'damsel in distress' he finds imprisoned there.

Poster for Dracula (1931), blank on post-credit scenes.

A British estate agent travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves and drives the agent to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.

Poster, Vampire Hunter D (1985). Nobody has voted on this one.

In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.

Vera Cruz (1954) cover. Nothing recorded about its credits.

After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.

The Barefoot Contessa (1954) cover. Nothing recorded about its credits.

A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.

Children of Paradise (1945) artwork. Still a mystery after the credits.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

Cover image for The Torture Chamber of Dr. Sadism (1967), not yet voted on.

In the Olden Tymes, Count Regula is drawn and quartered for killing twelve virgins in his dungeon torture chamber. Thirty-five years later, he comes back to seek revenge on the daughter of his intended thirteenth victim and the son of his prosecutor in order to attain immortal life.

Lady for a Day (1933) artwork. Still a mystery after the credits.

Apple Annie is an aging New York City fruit seller whose daughter Louise has been raised in a Spanish convent since she was an infant. As she grows up, Louise is led to believe that her mother is a society matron called Mrs. E. Worthington Manville. Annie worries that her lie is in danger of being uncovered when she learns that Louise is sailing to New York with her new fiancé and his nobleman father.

Laugh, Clown, Laugh (1928) poster. Still unanswered: is there a scene after the credits?

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

Without Family (2000) cover. Nothing recorded about its credits.

Young Remi, a foundling, lives on the farm run by his impoverished foster parents. When their money runs out, unbeknown to his foster-mother, Rémi is sold by his hard-hearted foster father to an old street performer named Vitalis. Vitalis was once a famous opera singer, but became destitute after a tragic love affair.

Poster for A Little Night Music (1977). No votes yet on whether it has a post-credit scene.

A tangled web of affairs is weaved around actress Desirée Armfeldt and the men who love her: lawyer Fredrik Egerman and Count Carl-Magnus Malcom. When Desirée's show travels through Fredrik's town, the estranged lovers' passion rekindles.

Film artwork for My American Wife (1936), no verdict on the credits.

Ann Sothern essays the title role in My American Wife. The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer). Much to Lafe's delight, Mary isn't assimilated into Continental high society; instead, she instructs Count Ferdinand in the virtues of good, old-fashioned American democracy. And, of, course, the Count and Lafe become great chums when the "furriner" proves that he can ride a bucking bronco with the best of 'em.

Vienna Blood (1942): nobody has checked the credits yet.

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

Film artwork for The Marriage of Figaro (1961), no verdict on the credits.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

In Our Time (1944) cover. Nothing recorded about its credits.

It is early 1939 in Poland when Mrs. Bromley and Jennifer come to buy antiques for her business in London. Jennifer meets Count Stephen and they wine, dine and see the sights though out the city. He wishes to marry, but his family is against plain Jennifer. When she tries to leave, he catches her at the train station and they are married. To be self sufficient, they modernize the family farm with tractors and increase production, but then Germany starts the war.

Movie poster for Unnatural (1952), waiting for its first vote.

In the 1800s, a stormy love relationship develops quickly between a young medical student and a woman believing herself to be the daughter of his scientist uncle, the student having never heard of her before their chance encounter and both unaware that she is the result of the scientist's illegal experiments with artificial insemination..

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