Post-credit scenes: results for “tag: crisis”

Key art for The Salt Path (2025), unanswered on the post-credit question.

The profound story of husband and wife Raynor and Moth Winn, who embark on a 630-mile trek after being forcibly removed from their home. Hoping that in nature they will find solace and a sense of acceptance, they walk through the beautiful but rugged coastlines of South West England - a journey that is exhilarating, challenging, and liberating in equal measure. THE SALT PATH is a powerful portrayal of home, and how it can be lost and rediscovered in the most unexpected ways.

The Happening (2008) cover. Nothing recorded about its credits.

When a deadly airborne virus threatens to wipe out the northeastern United States, teacher Elliot Moore and his wife Alma flee from contaminated cities into the countryside in a fight to discover the truth. Is it terrorism, the accidental release of some toxic military bio weapon -- or something even more sinister?

Inside Job (2010) artwork. Still a mystery after the credits.

A film that exposes the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, Inside Job traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia.

10 (1979) artwork. Still a mystery after the credits.

A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.

Breathe In (2013) poster. The count is still zero.

When a foreign exchange student arrives in a small upstate New York town, she challenges the dynamics of her host family's relationships and alters their lives forever.

Nostalgia (1983): nobody has checked the credits yet.

Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

I Stand Alone (1999) poster image. Zero votes so far.

After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, the Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, the Butcher returns to Paris to find his daughter.

Laggies (2014) cover. Nothing recorded about its credits.

Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

Poster for Eva (2026). No votes yet on whether it has a post-credit scene.

Eva, a mysterious woman who lives in the forest, sets a field of sunflowers on fire. She tells the police commissioner who arrests her that she did it because the children are in danger and must be protected. Eva believes she has a mission and she talks like a preacher, a sort of Joan of Arc. She sees strange blue lights in the sky. Her case is associated with the mysterious disappearance of children that have been occurring in the area, even if the youngsters seem to gladly follow her around. In the meantime, in China, a woman is exasperated because her daughter is sick.

Movie art for Forget Paris (1995), post-credit scene unknown.

Mickey Gordon is a basketball referee who travels to France to bury his father. Ellen Andrews is an American living in Paris who works for the airline he flies on. They meet and fall in love, but their relationship goes through many difficult patches.

Poster for Igor (2020), blank on post-credit scenes.

Igor has a secret that he doesn't want Nicole knew: he doesn't want to reveal that he is a victim of bullying, This implies a strong fight between them for his intentions about his secret.

New (2025) poster image. Zero votes so far.

The girl's morning begins in conflict with her own persona.

Movie art for Standing Firm (2010), post-credit scene unknown.

After the death of his wife, reluctant churchgoer Dave Corwin finds his life in pieces. While his bitterness with God grows, so does strife with his son Steven, the only Christian remaining at home. With his faith unwelcome, and anger pushing them apart, Steven seeks advice and prayer from others around him. Can he reach his father before grief destroys what’s left of their family?

Key art for Planetquake (2024), unanswered on the post-credit question.

A tectonic shift deep below the Mariana Trench causes a series of ever escalating earthquakes. If a team of leading seismologists fails to stop the disaster, the events will break apart the Earth, resulting in billions of casualties. Finally, someone’s paying attention to our leading seismologists.

Create or Die (2024) cover. Nothing recorded about its credits.

In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creating their art, even when there is no promise of money or fame? CREATE OR DIE explores the insatiable passion to create despite the overwhelming odds through the lens of South Carolina writer and filmmaker David Axe, as he and his band of cast and crew head out into the backwoods of Georgia to shoot his low budget passion project ACORN. But when tragedy strikes on set, doubt and tension threaten to bring an end to their production and their dreams.

Film poster, Krisis (2016). No post-credit verdict yet.

Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day on which pro-European demonstrators in Kiev started to demolish statues of Vladimir Lenin. The film reenacts debates between Russian and Ukrainian artists during the protests, revealing deep aesthetic, historical, and political divisions.

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