Post-credit scenes: results for “tag: crocodile”

Cover image for Lyle, Lyle, Crocodile (2022), not yet voted on.

When the Primm family moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle — a singing crocodile who loves baths, caviar and great music — living in the attic of his new home. But when Lyle’s existence is threatened by evil neighbor Mr. Grumps, the Primms must band together to show the world that family can come from the most unexpected places.

Peter Pan (1953) cover. Nothing recorded about its credits.

Leaving the safety of their nursery behind, Wendy, Michael and John follow Peter Pan to a magical world where childhood lasts forever. But while in Neverland, the kids must face Captain Hook and foil his attempts to get rid of Peter for good.

Peter Pan (2003) poster image. Zero votes so far.

In stifling Edwardian London, Wendy Darling mesmerizes her brothers every night with bedtime tales of swordplay, swashbuckling and the fearsome Captain Hook. But the children become the heroes of an even greater story, when Peter Pan flies into their nursery one night and leads them over moonlit rooftops through a galaxy of stars and to the lush jungles of Neverland.

Poster for Primeval (2007), awaiting its first vote.

A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.

Poster, Octopussy (1983). Nobody has voted on this one.

James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.

Poster, Live and Let Die (1973). Nobody has voted on this one.

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

Romancing the Stone (1984): nobody has checked the credits yet.

Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.

Key art for Peter Pan & Wendy (2023), unanswered on the post-credit question.

Wendy Darling, a young girl afraid to leave her childhood home behind, meets Peter Pan, a boy who refuses to grow up. Alongside her brothers and a tiny fairy, Tinker Bell, she travels with Peter to the magical world of Neverland. There, she encounters an evil pirate captain, Captain Hook, and embarks on a thrilling adventure that will change her life forever.

Lake Placid (1999) poster image. Zero votes so far.

When a man is eaten alive by an unknown creature, the local Game Warden teams up with a paleontologist from New York to find the beast. Add to the mix an eccentric philanthropist with a penchant for "Crocs", and here we go! This quiet, remote lake is suddenly the focus of an intense search for a crocodile with a taste for live animals...and people!

Movie poster for Crocodile Dundee (1986), waiting for its first vote.

When a New York reporter plucks crocodile hunter Mick Dundee from the Australian Outback for a visit to the Big Apple, it's a clash of cultures and a recipe for good-natured comedy as naïve Dundee negotiates the concrete jungle. He proves that his instincts are quite useful in the city and adeptly handles everything from wily muggers to high-society snoots without breaking a sweat.

Key art for Rogue (2007), unanswered on the post-credit question.

When a group of tourists stumble into the remote Australian river territory of an enormous crocodile, the deadly creature traps them on a tiny mud island with the tide quickly rising and darkness descending. As the hungry predator closes in, they must fight for survival against all odds.

Poster for Paradise: Love (2012), awaiting its first vote.

On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach.

Movie poster for Dinocroc (2004), waiting for its first vote.

After an African dinosaur ancestor of the crocodile is found, Dr. Campbell uses its DNA to create prototypes at Paula Kennedy's Gereco lab.

Key art for Tabu (2012), unanswered on the post-credit question.

Lisbon, Portugal, 2010. Pilar, a pious woman devoted to social causes, maintains a peculiar relationship with her neighbor Aurora, a temperamental old woman obsessed with gambling who lives tormented by a mysterious past.

Image for Krocodylus (2000), a film with no post-credit data.

A sleazy producer develops a concept he dubs "blood surfing" -- tossing bloody fish remains into the water to lure sharks and then surfing through the animals as they chomp about. Along with his camerawoman, the producer brings two thrill-seeking surfers to the coast of Florida to capture some gnarly footage. But, as they blood surf, they encounter something even more deadly: a colossal prehistoric crocodile intent on devouring them.

Film poster, Dinocroc vs. Supergator (2010). No post-credit verdict yet.

On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they've broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake's first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It's a risky plan, but ultimately the only one that may work. One of David Carradine's last movies.

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