Post-credit scenes: results for “tag: crowd”

Poster for Rolling Loud: The Movie (2026), answer yes on the post-credit question.

Desperate to reconnect with his distant son, a father secretly takes him to the chaos of Rolling Loud, only to plunge into a wild, frantic search across the massive hip-hop festival when the 13-year-old vanishes into the crowd.

Movie art for Downsizing (2017), post-credit scene unknown.

A kindly occupational therapist undergoes a new procedure to be shrunken to four inches tall so that he and his wife can help save the planet and afford a nice lifestyle at the same time.

Cover image for Why Do Fools Fall In Love (1998), not yet voted on.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

Film poster, The Gilded Lily (1935). No post-credit verdict yet.

Secretary Marilyn David falls in love with British aristocrat Charles Gray, to the dismay of her best friend, reporter Peter Dawes, who secretly loves her. When Peter learns that the already-engaged Charles has hurt Marilyn, he fabricates an article casting her as the "No Girl" who refused to marry a callous aristocrat. But when the publicity brings Marilyn unexpected fame, and Charles returns, she is forced to choose between the two men.

Movie poster for The Nan Movie (2022), waiting for its first vote.

Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.

Poster art for Glorieux Éden (2024), an open question on post-credit scenes.

Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.

Ice Guardians (2016) poster. Still unanswered: is there a scene after the credits?

On-ice enforcers struggle to rise through the professional ranks of the world's most prestigious hockey league, only to be confronted with a new found fight for the existence of the role itself.

Poster for The Concert for Bangladesh (1972), blank on post-credit scenes.

A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.

Poster, Carnival in Québec (1956). Nobody has voted on this one.

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

An Ascent of the Monte Rosa Glaciers (1932): nobody has checked the credits yet.

An alpine ascent Monte Rosa glacier by a large group of mountaineers equipped with crampons and ice axes. The group ascends from the Gabiet lake to the Corno del Camoscio (3.024 meters) and up the Capanna Gnifetti hut at 3.647 meters. From there they continue the progression by the glacier up to the Capanna Regina Margherita hut at 4.559, the highest observatory in Europa at the time, from where they start the way back to the village of Gressoney. The film was produced in 1932 by the Instituto Nazionale Luce during the Italian Fascist regime.

Gerorist (1990) poster. The count is still zero.

A young girl, haunted by something possible supernatural, gives signs of possession and behaves violently against her surrounding society.

Poster for Black Block (2011), blank on post-credit scenes.

Genoa 2001: As the G8 Summit drew to a close and the press and politicians departed, 300 riot police stormed the Diaz School looking for members of the infamous Black Block. They found instead young activists, mostly students, teenagers and journalists from around Europe preparing to bunk down in the school gym. Undeterred, they unleashed a calculated frenzy of violence, beating young and old, male and female indiscriminately. Those seriously injured were rushed to the hospital in ambulances, though soon after they were forced to join those who had been arrested and driven to a detention centre and subjected to further abuse and degradation.

Crowds (2016) artwork. Still a mystery after the credits.

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Arcadia (1990) artwork. Still a mystery after the credits.

Set in the not to distant apocalyptic future. Earth is under invasion from computer/arcade aliens, tensions run high and teenagers still want to 'go out'.

The Battle of the Snow (1903) poster. The count is still zero.

A crowd of a hundred boys rushing the position of another crowd, storming their adversaries with volleys of snowballs, finally driving the enemy from the crest of the hill, a position of vantage they held in the beginning of the fray.

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