Post-credit scenes: results for “tag: customs”

Poster for Contraband (2012), blank on post-credit scenes.

When his brother-in-law runs afoul of a drug lord, family man Chris Farraday turns to a skill he abandoned long ago—smuggling—to repay the debt. But the job goes wrong, and Farraday finds himself wanted by cops, crooks and killers alike.

Poster, A Rough Draft (2018). Nobody has voted on this one.

Young Muscovite Kirill is a talented designer of computer games. One day, he is completely erased from the memory of everyone he knew and loved. Kirill learns that he has been chosen for an important and mysterious mission: to become a customs officer between parallel worlds, of which there are dozens in the universe. Will Kirill unravel the mystery of these worlds and who controls them? And is our Earth really just an imaginary "draft" -- a parallel world -- which in reality does not exist ...

Like Crazy (2011) artwork. Still a mystery after the credits.

A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.

Film poster, Welcome to Acapulco (2019). No post-credit verdict yet.

When Matt Booth sets off to meet his fiance for a foreign wedding he couldn't have imagined the dangerous world he was about to step into. Betrayed and set up, Matt finds himself on the run from the CIA and hired mercenaries, all looking for a package that he has supposedly smuggled through customs. Hunted on all sides, Matt is aided by Agent Adriana Vasquez, a femme fatale with orders of her own to follow.

The Woven Path: Perempuan Tana Humba (2019). Nobody has said whether there is anything after the credits.

The Woven Path: Perempuan Tana Humba is made up of two short movies that highlight the role of women in Sumba culture. The first part of the documentary, The Woven Path, is a 10-minute movie featuring picturesque footage and images that serve as a backdrop to two poems centering on the theme of mothers. The 30-minute Perempuan Tana Humba is a much more straightforward documentary, focusing more on Sumba culture and women in three short chapters: “Marapu”, “Belis” and “Perkawinan”.

The Long Road Through Balkan History (2009) poster. Still unanswered: is there a scene after the credits?

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Poster for Ivan Maryadaraman (2015), blank on post-credit scenes.

Raman meets Krishnendu, the daughter of his father's enemy, on the way to his hometown. Once he reaches his hometown, he finds himself hunted by his rivals.

Poster for Rituals (2025), blank on post-credit scenes.

A husband and wife recall an event when their love was tested amid Punjabi pre-wedding customs, as their family continued to create a scene due to cultural and racial differences, which persisted despite the customs.

Poster for Freeports: The Beauty Of Tax Free Storage (2021). Never been answered.

Documentary that exposes the secret world of these unknown tax havens. There is a global network of tax-free storage facilities valuable goods, catering to the super rich - and it's virtually unknown, until now. Freeports feature highest security levels, confidential record keeping and an offshore legal status and are a huge potential for tax savings. The film investigates their rise, who is using them, and why.

Bolot Feray (1995) artwork. Still a mystery after the credits.

The film is taken from a comedy theatrical play and it shows the customs of the traditional society in Seychelles.

Easter Customs (1954). Nobody has said whether there is anything after the credits.

Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.

Movie art for The Rusalia Customs of Gevgelija (1957), post-credit scene unknown.

A testimony to the performance of ritual dances. Although they were performed only during the so-called “unbaptized days”, the 12 days between Christmas and Epiphany in the Orthodox Christianity, these dances are associated by some researchers with the Roman rosaries, the cult of the dead. Ritual clothing and the use of wooden swords to disperse the demons are important props in the dances that are believed to protect the folks from temptations and demons until they are baptized.

Grab and Run (2017) artwork. Still a mystery after the credits.

After the Kyrgyzstan Independence in 1991, the ancient practice of Ala-Kachuu ("grab and run") returned. Some women escape the men that kidnap them, but many remain married because of tradition and the fear of scandal.

Key art for Punky Night at Hinton St. George (1977), unanswered on the post-credit question.

Children parade through the streets of Hinton St George in Somerset on the last Thursday of October. Children have hollowed out pumpkins or mangelwurzels, a type of animal fodder turnip to make lanterns following a tradition in this part of West Somerset that coincides with Halloween. Punky or Punkie Night is thought to date from the turn of the 20th century or perhaps medieval times chanting rhymes and following a Punkie King and Queen.

Last Night at the S&S Diner (1988): nobody has checked the credits yet.

Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.

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