Post-credit scenes: results for “tag: dawn”

Movie art for The Gate (1987), post-credit scene unknown.

Three young children accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the three kids struggle to overcome a nightmarish hell that is literally taking over the Earth.

Poster for Fajr (2019), blank on post-credit scenes.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Movie poster for Peacock Alley (1930), waiting for its first vote.

Claire Tree spends the night in the hotel room of her friend and confidante, saying goodbye to him before her impending marriage the following day. When she returns to the hotel with her husband the following night, the house detective accuses her of prostitution and throws them out. Now Claire must explain everything to her unsympathetic husband.

Poster for Embruns (2024), awaiting its first vote.

It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.

Blind Eye (2025). Nobody has said whether there is anything after the credits.

Disturbed by a chilling neighbourhood anomaly, a reserved newspaper deliverer is forced to choose between intervention and routine.

Movie poster for Stockholm Daybreak (2013), waiting for its first vote.

At the break of dawn, teenagers Axel and Love are on the way home after a night out partying. As the sun rises, they start to see each other in a whole new light... Elin Övergaard's remarkably tender portrait of the struggle to say what you mean to the person you care for the most packs a considerable emotive punch in only just a few minutes.

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