Post-credit scenes: results for “tag: deceit”

Film poster, Tower Heist (2011). No post-credit verdict yet.

A luxury condo manager leads a staff of workers to seek payback on the Wall Street swindler who defrauded them. With only days until the billionaire gets away with the perfect crime, the unlikely crew of amateur thieves enlists the help of petty crook Slide to steal the $20 million they’re sure is hidden in the penthouse.

Movie art for Red Sparrow (2018), post-credit scene unknown.

Prima ballerina Dominika Egorova faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Dominika emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, she meets a CIA agent who tries to convince her that he is the only person she can trust.

Film poster, In Her Shoes (2005). No post-credit verdict yet.

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

Addicted (2014) poster. The count is still zero.

A gallerist risks her family and flourishing career when she enters into an affair with a talented painter and slowly loses control of her life.

Poster for The Good Son (1993), awaiting its first vote.

A young boy stays with his aunt and uncle, and befriends his cousin who's the same age. But his cousin begins showing increasing signs of psychotic behavior.

Imprint (2006) cover. Nothing recorded about its credits.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

Cover image for Human Desire (1954), not yet voted on.

A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife following a murder on a train.

Poster for American Crude (2008). Never been answered.

Quite a bit can happen over the course of a single day in L.A., and when smooth-talking scam artist Johnny decides to throw a bachelor party for his best friend Bill the events of the day take a bizarre turn. As the festivities get underway, the appearance of a transvestite prostitute, a trigger-happy ex-con, and a notorious porn king signal that this isn't going to be a typical night out.

Sandra (1965) cover. Nothing recorded about its credits.

Sandra returns to her hometown to take care of family business, but childhood memories and secrets soon overcome her.

The Brave (2019): nobody has checked the credits yet.

In an Albanian town known for drug production and trafficking an elite group of cops set out to end the war waged against the local police.

Payroll (1961) poster image. Zero votes so far.

A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ahead with the robbery, but when the driver of the armoured van is killed in the raid, his wife plans revenge, and with the police closing in, the gang start to turn on each other.

Film artwork for The Girl from Mexico (1939), no verdict on the credits.

Carmelita Fuentes is a fiery-Latin singer/dancer in Mexico City who has designs on Dennis Lindsay, an American publicity agent, for unclear reasons, while Lindsay's shiftless uncle Matthew Lindsay aids and abets her every step of the way to the marriage altar.

Movie poster for Selfish Desires (1984), waiting for its first vote.

Clarissa is an ambitious young woman born to a poor family. She is later adopted by her rich godmother after a tragedy. Determined to escape a life of poverty, she uses everyone around her, including her friends and family, in her relentless pursuit of wealth and power.

The Firefly (1937) cover. Nothing recorded about its credits.

Nina Maria Azara is the beautiful and alluring singing spy for Spain during the Napoleonic Wars. Her mission is to seduce French officers, in order for them to reveal Napoleon's intentions toward Spain. She is sent to Bayonne, France to gather military secrets. Prior to this, she meets Don Diego while performing at a club. Unknown to her, Don Diego is actually Captain Andre, who is sent to Spain to spy on her. While in France, Nina discovers Diego's true identity, only after she has fallen in love with him. Nina Maria outwits her potential captors, returns to Spain and goes into hiding. Napoleon's troops invade Spain, resulting in Nina's capture. In a strange twist of fate, Nina and Captain Andre are reunited, but the 2 nations are now at war...

Movie art for Banksters (2020), post-credit scene unknown.

Karolina works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam, he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz, who dreams of independence, his own place and the longed-for move away from his in-laws.

Poster art for Trust (2011), an open question on post-credit scenes.

We flirt with our bodies and faces. TRUST creates a playful variation of the classical initial contact of heterosexual Europeans. A creative man courts a woman with long hair. Would you do the same in this situation?

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