Post-credit scenes: results for “tag: demonstration”

Poster art for Die Another Day (2002), an open question on post-credit scenes.

James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.

Gandhi (1982). Nobody has said whether there is anything after the credits.

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

Let Our Mountains Live (2026) poster. The count is still zero.

Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.

Poster for Uproar (2023), awaiting its first vote.

A 17 year-old student is forced to get off the fence he has actively sat on all his life to stand up for himself, his whanau (family) and his future in this heartwarming story of identity.

Poster, Even the Rain (2011). Nobody has voted on this one.

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

Poster for Quarter to Two Before Jesus Christ (1982). No votes yet on whether it has a post-credit scene.

In ancient Rome, a simple pepboy for chars becomes involved in a coup against Cesar. Rahatlocum is a North African Roman colony where Julius Caesar came to spend an expensive holiday. The revolt rumbles among the locals who find a leader in the person of Ben-Hur Marcel.

Poster for Broken Eyes (2023), blank on post-credit scenes.

Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.

Miss Sweden (2004) artwork. Still a mystery after the credits.

Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.

The Third Wave (2003). Nobody has said whether there is anything after the credits.

Johan Falk hasn't been working for over a year since he resigned from the police. Most of all he wants to move out to the countryside, but fate has a different thought.

Machuca (2004) poster. The count is still zero.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

Movie art for Inspection (2018), post-credit scene unknown.

Germany is in uproar; the new government has adopted a law which enables a government-controlled censorship. Media and cultural facilities are being inspected. The theatre house of Jan Reeberger is one of the inspected institutions. During the inspection two different world views collide, on the one side, there’s Jan with his idealistic and cosmopolitan worldview, on the other side, there’s Micky who is standing up for the new political system.

Poster, The Seoul Guardians (2026). Nobody has voted on this one.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

Djamin Setia Selamanya (2026) cover. Nothing recorded about its credits.

Educated under colonial rule, a determined young man from Tanah Karo enlists in a paramilitary unit under the false promise of liberation, ultimately rising to become a pivotal military strategist in North Sumatra's guerrilla defense while balancing acute domestic sacrifices with absolute duty to the nascent Indonesian Republic.

Aarakshan (2011) poster. Still unanswered: is there a scene after the credits?

The decision by India's supreme court to establish caste-based reservations for jobs in education causes conflict between a teacher and his mentor.

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