Post-credit scenes: results for “tag: desertion”

Film artwork for Dances with Wolves (1990), no verdict on the credits.

Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.

Barry Lyndon (1975) poster. The count is still zero.

An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.

Cold Mountain (2003) poster. The count is still zero.

In this classic story of love and devotion set against the backdrop of the American Civil War, a wounded Confederate soldier named W.P. Inman deserts his unit and travels across the South, aiming to return to his young wife, Ada, who he left behind to tend their farm. As Inman makes his perilous journey home, Ada struggles to keep their home intact with the assistance of Ruby, a mysterious drifter sent to help her by a kindly neighbor.

Poster for The Captain (2018). No votes yet on whether it has a post-credit scene.

Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of a Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.

Film artwork for Black '47 (2018), no verdict on the credits.

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

Poster for Escape (2024). Never been answered.

After completing his required decade of military service and being honored as a hero, a North Korean sergeant makes a sudden shocking attempt to defect to the South, risking life and limb for the chance to finally determine his own destiny.

Key art for Onibaba (1964), unanswered on the post-credit question.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

Image for Belle Époque (1992), a film with no post-credit data.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Virus (1999) poster. Still unanswered: is there a scene after the credits?

When the crew of an American tugboat boards an abandoned Russian research vessel, the alien life form aboard regards them as a virus which must be destroyed.

Dead Birds (2005) poster image. Zero votes so far.

Towards the end of the Civil War, a group of Confederate soldiers hole up on an abandoned plantation after robbing a bank, and find themselves at the mercy of supernatural forces.

Movie art for Guns for San Sebastian (1967), post-credit scene unknown.

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.

Image for Exit Speed (2008), a film with no post-credit data.

On Christmas Eve, ten strangers board a bus traveling across Texas and are forced off the road by a motorcycle gang. The passengers then take refuge in an abandoned scrap yard. When their defense against the gang weakens and their numbers dwindle they must do the unthinkable go on the offense.

Poster for Mobile Suit Gundam: Cucuruz Doan's Island (2022). Never been answered.

After a covert mission goes wrong, Mobile Suit pilot Amuro Ray and his comrades are stranded on a remote island. The battalion was sent to a land called the Island of No Return to clear off any enemy forces, only to find a group of children and an enemy mecha attack. Now Amuro must find a way for them all to escape this mysterious land, but not before meeting a strange man—Cucuruz Doan.

Poster for El Filandón (1985). No votes yet on whether it has a post-credit scene.

According to legend, Pelayo became a martyr and saint by sacrificing himself to save his king, Bermudo de León. Now, people gather to explain their history and ask for disaster protection.

Film artwork for The Flying Deuces (1939), no verdict on the credits.

Ollie falls in love with a woman. When he discovers she's already married, he unsuccessfully attempts suicide but he and Stan then decide to join the Foreign Legion to get away from their troubles. When they’re arrested for soon trying to desert the Legion—they escape a firing squad by stealing an aircraft.

Movie poster for Farewell to the King (1989), waiting for its first vote.

An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told in the style of Joseph Conrad and Rudyard Kipling. The American is reluctant to rejoin the fight against the Japanese on the urging of a British commando team but conducts a war of vengeance when the Japanese attack his adopted people.

Image for Eagle's Wing (1979), a film with no post-credit data.

Two men, an aging Native American and a ne'er-do-well trapper from North America, race to claim the stallion Eagle's Wing in antebellum Mexico, meeting marauded stagecoach travelers and garrisoned Mexicans along the way.

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