Post-credit scenes: results for “tag: desire”

Poster for 9 Songs (2004). No votes yet on whether it has a post-credit scene.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Key art for Twilight (2008), unanswered on the post-credit question.

When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't stay away from him, a fatal move that endangers her own life.

Lolita (1997) poster. Verdict: stay in your seat, there is a post-credit scene.

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

Cover image for Nosferatu (2024), a film with no post-credit scene.

A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

Image for The Key (1983), a film with no post-credit data.

In 1940s Venice, after twenty years' marriage, retired art critic Nino Rolfe and his younger wife Teresa feel their passion waning. To help her shed her inhibitions and rekindle their relationship, the professor records his sexual fantasies in a diary.

Poster, The Lover (1992). Nobody has voted on this one.

A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.

Film poster, Animales (2026). No post-credit verdict yet.

Four couples sail the thin line between desire and search for authenticity, in a world where truth is as fragile as their relationships.

Poster art for Dressed to Kill (1980), an open question on post-credit scenes.

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

Cover image for Three Thousand Years of Longing (2022), not yet voted on.

A solitary scholar discovers an ancient bottle while on a trip to Istanbul and unleashes a djinn who offers her three wishes. Filled with reluctance, she is unable to come up with one, so the djinn tries to inspire her with his stories.

Cover image for Desire (2011), not yet voted on.

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.

Key art for The Disaster Artist (2017), unanswered on the post-credit question.

An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have predicted; creating the worst movie ever made.

Movie poster for Queer (2024), waiting for its first vote.

In 1950s Mexico City, William Lee, an American ex-pat in his late forties, leads a solitary life amidst a small American community. However, the arrival in town of Eugene Allerton, a young student, stirs William into finally establishing a meaningful connection with someone.

Image for My Sole Desire (2023), a film with no post-credit data.

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Poster for Needful Things (1993). No votes yet on whether it has a post-credit scene.

A mysterious new shop opens in a small town which always seems to stock the deepest desires of each shopper, with a price far heavier than expected.

Poster art for Carnal Sins (2024), an open question on post-credit scenes.

Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.

Marie Madeleine (2026) artwork. Still a mystery after the credits.

In Jacmel, Haiti, the sea, the churches, and the spirits shape daily life. Marie Madeleine is a free woman. She makes a living as a prostitute and navigates the nights without submitting to the rules of those who save souls. Her path crosses Joseph's, a young evangelist. A relationship blossoms between these two opposite beings. As Joseph’s faith wavers, Marie Madeleine draws him into a world where desire and the quest for freedom open up a space where everything can be reinvented.

Image for Astaroth, Female Demon (2017), a film with no post-credit data.

Shrouded by the mists of time, she has been forgotten ... But there is always someone to remember. Gregório is a tattoo artist obsessed with Astaroth, a demonic entity lurking in the shadows with promises of desire and pleasure. With the art of tattooing and his arcane knowledge, he intends to rescue her from the mists of oblivion and bring her into the world of the flesh. Two young women are involved in her plans: the determined tattoo artist Dri and the sweet guitarist Lia. A friend of theirs, Mai is the young woman who will use her martial arts training to try to defend them and combat the designs of Hell.

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