Post-credit scenes: results for “tag: devotion”

Film artwork for Pillion (2025), no verdict on the credits.

Colin, a timid man, meets Ray, a confident biker gang leader, who initiates him into a submissive relationship, challenging Colin’s mundane existence and prompting personal growth through their unconventional dynamic.

Movie poster for Rebecca (1940), waiting for its first vote.

Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.

End Game (2006) poster. Still unanswered: is there a scene after the credits?

Secret Service agent Alex Thomas is detailed with protecting the president of the United States but, at a public appearance, everything went wrong and the president is assassinated. Wracked with guilt, he blames himself for his team's failure. Meanwhile, seasoned journalist Kate Crawford comes to believe there's a massive conspiracy afoot and convinces Alex of it. Together they unravel a treacherous web of lies as they try to unlock the truth behind the conspiracy amid the deadly threat of shadowy assassins and ex-special ops enforcers.

The Farmer's Wife (1928) cover. Nothing recorded about its credits.

Successful middle-aged farmer Samuel Sweetland becomes widowed, then his daughter marries and leaves home. Deciding he wishes to remarry, Sweetland pursues some local women he considers prospects.

Film poster, Sword of Desperation (2010). No post-credit verdict yet.

A talented but troubled Edo Period swordsman, Kanemi Sanzaemon. Three years earlier, Kanemi killed a woman, Renko, the corrupt mistress of the powerful daimyo Tabu Ukyou. Unexpectedly, Kanemi received a lenient sentence for his crime and is allowed to return to his clan after only one year of imprisonment. Following his return, Kanemi is faced with the death of his wife, Mutsue. Thereafter, Kanemi lives with and cares for his wife's niece, Satoo, who has secret affections for Kanemi and expresses them by helping change his bleak outlook on life. Meanwhile, Kanemi's develops his unique "bird-catching" sword technique which he will soon put to test in battle for the first time against the fearsome swordsman, Hayatonosho Obiya.

Poster for Gracie's Choice (2004), blank on post-credit scenes.

For as long as she can remember, 16 year-old Gracie has been raising her four siblings, each of whom has a different, absent father and their mother is on the fast track to self-destruction. When these children's lives are about to be pulled apart, Gracie will have to do the impossible and make the ultimate sacrifices to keep her family together.

Film artwork for The Dialogue of the Carmelites (1960), no verdict on the credits.

This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion. 

Laugh, Clown, Laugh (1928) poster. Still unanswered: is there a scene after the credits?

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

Cover image for Listen, Darling (1938), not yet voted on.

To stop Pinkie's widowed, struggling mother Dottie from marrying a well-off older man they know she doesn't love, teenager Pinkie and her best friend Buzz kidnap her in the family travel trailer to live a carefree life on the open road. They then get the idea to find Dottie a financially secure husband whom both she and Pinkie would like.

The Search (1948). Nobody has said whether there is anything after the credits.

In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.

Film poster, Back Street (1941). No post-credit verdict yet.

In turn-of-the-century Cincinnati, vibrant shop girl Ray Smith falls in love with banker Walter Saxel, who is engaged to a socially prominent woman. Inadvertently prevented from running away with Walter, Ray remains single but reunites with him five years later. Despite Walter being married and having a son, Ray becomes his mistress, and over the years suffers social ostracism and long stretches of solitude while waiting for their brief interludes together.

Murder Boy (2026) artwork. Still a mystery after the credits.

Celo's birthday night turns sinister after she discovers her boyfriend Montey may be leaving her for another woman. When the mysterious Margaret Wellington enters her life, Celo is drawn into a disturbing world of control, ritual, and devotion.

Movie art for A Boy and His Dog (1946), post-credit scene unknown.

11 year old Davy discovers that a chained gentle dog, Buck, is badly wounded around the neck because of the thick, tight collar he is made to constantly wear by his unfeeling owner. When Buck comes through the fence and becomes stuck, Davy removes the collar. Even though the boy tells him to stay in his owner's yard, the dog follows him home.

Faustina: Love and Mercy (2019) poster image. Zero votes so far.

Docudrama tracing the life of Saint Faustina Kowalska, whose visions of Jesus Christ inspired the Roman Catholic devotion to the Divine Mercy and earned her the title of "Apostle of Divine Mercy".

Film poster, Sós (2025). No post-credit verdict yet.

A widow keeps her husband's memory alive through daily, silent gestures, until longing and love lead her to meet him again, in an ending where reality and affection merge.

Poster, Love Love: Fractures (2026). Nobody has voted on this one.

Love doesn’t break all at once. Nine standalone stories catch it in the moment of fracture, from a bedroom argument to cross-border espionage, from quiet grief to genre worlds, and in the long, stubborn work of finding our way back.

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