Twenty-six years after outrunning a suspiciously familiar masked killer, the Core Four are back in the killer's crosshairs and no horror movie IP is safe.
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When a naive young man becomes the sexual muse for a renowned and provocative artist, his dream job quickly turns dangerous as he is drawn into an obsessive world of power, betrayal, and murder.
After a year apart - attending different schools, meeting different people - the guys rent a beach house and vow to make this the best summer ever. As it turns out, whether that will happen or not has a lot to do with the girls. Between the wild parties, outrageous revelations and yes, a trip to band camp, they discover that times change and people change, but in the end, it's all about sticking together.
Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Guy Carter, an insecure expectant father unable to find work in his field, accepts a job driving hookers around Los Angeles. One long and crazy evening proves to our hero that he is, in fact, up to the task of fatherhood.
It is freshman year at Coolidge College and Van Wilder is ready to party. To his dismay, all the girls have taken a vow of chastity and the dean rules the school. Van embarks on a crusade to land the campus hottie, Kaitlin, and liberate his school from sexual oppression and party dysfunction.
Adolf Hitler is hiding out in California under the identity of Adolf Schwartz; however, he is soon murdered by a mysterious assailant. This coincides with the arrival of a mysterious woman in a nearby town. Whatever the case might be, nobody seems interested in investigating the crime, but there are many who are interested in her.
A hyper-repressed and schlubby accountant (Jonas Chernick) strikes a deal with a worldly but disorganized stripper (Emily Hampshire): he'll help her with her crushing debt if she helps him become a better lover.
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
David Briggs' Karen Black Like Me is a weirdly funny homage to the 1975 cult classic Trilogy of Terror.
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.
Five disparate youths, lost on a road trip to the location of the infamous 'mangrove slasher,' end up being pursued by a cadre of cannibal clowns.