Post-credit scenes: results for “tag: dowry”

Sense and Sensibility (1995) artwork. Still a mystery after the credits.

The Dashwood sisters, sensible Elinor and passionate Marianne, learn that their prospects of marriage seem doomed by their family's sudden loss of fortune. After Henry Dashwood dies unexpectedly, his estate must pass on by law to his son. These circumstances leave Mr. Dashwood's wife and daughters without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Cover image for The King and I (1956), not yet voted on.

Widowed Welsh mother Anna Leonowens becomes a governess and English tutor to the wives and many children of the stubborn King Mongkut of Siam. Anna and the King have a clash of personalities as she works to teach the royal family about the English language, customs and etiquette, and rushes to prepare a party for a group of European diplomats who must change their opinions about the King.

Movie art for Jubilee Trail (1954), post-credit scene unknown.

A wild-west trader and his New York wife head out for the California by wagon train. The trader is killed enroute, and his wife finds herself with child. She continues on hoping to find a man and a home.

The Miser (1980). Nobody has said whether there is anything after the credits.

The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven’t spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. Based on Molière’s play.

Poster for Birds of Passage (2018). Never been answered.

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

Poster for A Page of Madness (1926), awaiting its first vote.

An elderly man visits his mentally ill wife in a psychiatric hospital. Years earlier, she had tried to drown their child and then take her own life. Crushed by guilt and powerless to change what has happened, he stays on at the clinic as a janitor. Soon, their daughter comes to tell him she is getting married, and with her arrival come painful memories and tormenting visions.

Empty Nets (2024) artwork. Still a mystery after the credits.

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

Poster for Strange Testament (1941). No votes yet on whether it has a post-credit scene.

This MGM Passing Parade series short tells the story of Julian Poydras, whose encounter with a girl at Mardi Gras had a profound effect on his later life.

Poster art for Muna Moto (1975), an open question on post-credit scenes.

Ngando and Ndomé share an extremely perfect love. Yet, tradition demands a dowry for Ndomé’s hand that Ngando, an orphan, cannot afford. Forced to ask his uncle for assistance, Ngando finds himself at the mercy of his uncle’s lust and greed. How can Ngando and Ndomé find peace together? Their journey will be challenging and everyone will learn that not everything special can be saved.

Movie poster for My Sister Deserves a Beating (1966), waiting for its first vote.

A mad man, Spyros, wants to marry Marianna, his lively sister. He wants to give her a dowry apartment, but his money is not enough for that. So he has to ask for a loan from his boss. The boss refuses to serve him but as soon as he knows Marianna, he changes his mind. Spyros tries to think of Marianna, who is smirked for his boss's mistress, but he only manages to lose his job. He wants to marry her with the poor and honest electrician Manolis, who is in love with her.

Poster for Dharmadurai (2016), awaiting its first vote.

A once-promising village doctor, burdened by personal loss and family betrayal, spirals into alcoholism and becomes an outcast. His journey of pain, resilience, and rediscovery takes him from despair to a chance at redemption, as he confronts his past and searches for purpose, love, and reconciliation.

The Woven Path: Perempuan Tana Humba (2019). Nobody has said whether there is anything after the credits.

The Woven Path: Perempuan Tana Humba is made up of two short movies that highlight the role of women in Sumba culture. The first part of the documentary, The Woven Path, is a 10-minute movie featuring picturesque footage and images that serve as a backdrop to two poems centering on the theme of mothers. The 30-minute Perempuan Tana Humba is a much more straightforward documentary, focusing more on Sumba culture and women in three short chapters: “Marapu”, “Belis” and “Perkawinan”.

Poster for The Hundred Million Bath Dowry (2004). Never been answered.

A handsome young man from Bangkok is sent to an upcountry town to try and stamp out corruption. He falls in love with the local beauty, the eldest of three sisters. However, the course of true love never runs smoothly, and the couple have many obstacles to overcome. Not least is the girl's shotgun toting, over-protective father who demands a dowry of one hundred million baht.

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