Post-credit scenes: results for “tag: dreamlike”

Image for Her Private Hell (2026), a film that really is over when the credits roll.

When a mysterious mist engulfs a futuristic metropolis, unleashing a deadly and elusive entity, a troubled young woman searches for her father. Her quest collides with an American GI on a harrowing odyssey to rescue his daughter from Hell.

Poster, Megalopolis (2024). You can get up when the credits start.

In a futuristic New York known as New Rome, visionary architect Cesar Catilina dreams of building "Megalopolis," a utopian city that redefines society’s limits. Opposing him is the corrupt Mayor Franklyn Cicero, who clings to power and profit. Between them stands Julia, the mayor’s daughter, whose love for Cesar forces her to choose between loyalty, ambition, and the fate of humanity.

Corridor (2011) poster. Still unanswered: is there a scene after the credits?

In this short experimental film, Czech artist Josef Bolf turns an ordinary architectural space into a fragmented psychological journey.

Mirror (1975). Nobody has said whether there is anything after the credits.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Movie art for CAMP (2026), post-credit scene unknown.

Emily is the cause of two tragedies early in her life; her dad suggests she go to a Camp for troubled youth to ease her guilt. When Emily arrives, she is taken in by the other counsellors; they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t ignore, telling Emily to go home.

Image for Frozen in Frame, a film with no post-credit data.

When Chloe photographs a violent attack outside her apartment, she is certain she has proof of what she saw. Then the image vanishes. As objects disappear, memories shift, and her friends begin to doubt her, Chloe becomes trapped between two terrifying possibilities: someone is manipulating her, or she is losing her grip on reality.

Drakulon (2025): nobody has checked the credits yet.

A conceptual, music-driven experimental psychodrama following a frustrated painter living in isolation and haunted by visions of a spectral, vampiric muse.

Poster for The Hourglass Sanatorium (1973). Never been answered.

Józef visits a dilapidated sanatorium to see his father, undertaking a strange journey through its many rooms, each of which conjures worlds composed of his memories, dreams, and nightmares.

Lust for Frankenstein (1998) artwork. Still a mystery after the credits.

Moira Frankenstein, the grand-daughter of noted mad scientist Dr. Frankenstein, has become obsessed with the work of her ancestor and she decides to pick up the family business where he left off.

Movie art for The Wild (2023), post-credit scene unknown.

At her mother's rambling behest, Josie enlists best friend and unofficial chauffeur Stanley, to search for clues after her sister, Andrea, mysteriously goes missing from a bar in the next town over. Eccentric roaming artists, less-than-helpful locals, and a shadowy secret society lead to more clues than answers but one thing keeps coming back; The Wild. Maybe there is more to the family curse that has lingered over Josie's head all of these years.

Poster art for Conquest (1983), an open question on post-credit scenes.

To mark his passage into manhood, young Ilias is gifted a magical bow by his father and embarks upon a journey into the wilderness to rid the land of evil, all the while battling the witch Ocron, who wishes to steal the bow for her own nefarious ends.

Poster for Virginia (1990), awaiting its first vote.

From East Berlin, alone in Paris, Virginia, a young unemployed actress, finds a job as a reader in a strange villa, with a blind man. Between a domineering housewife and a submissive employee who plays sadistic games, Virginia must find her place.

Image for Land of Shadows (2026), a film with no post-credit data.

Following a tragic event that shattered her life, renowned author Alice Chevalier struggles to find meaning in her existence. Searching for answers and a sign from destiny, she meets Thomas, a mysterious man who offers her an experience that defies the boundaries of reality. Driven by the hope of rebuilding herself, Alice embarks on a mystical journey, like an astronaut venturing into the far reaches of the unknown.

Poster for Witching Hour, blank on post-credit scenes.

Lee Callahan begins to suspect her next-door neighbor is a serial killer.

The Black Snake (2026) cover. Nothing recorded about its credits.

After years of absence, Ciro returns home to his mother's bedside. In the Colombian desert of Tatacoa, he meets those he fled and confronts the last guardians of a territory as fragile as it is enchanting.

Dust (2024) poster image. Zero votes so far.

Luca visits his frail Nan on her deathbed, and reflects on their shared past through a series of vivid memories.

Poster art for Cerebrum Jungle (2025), an open question on post-credit scenes.

A Detective searches for a Psychotic serial killer, a Scientist grieving a loss constructs a catastrophic machine, and obscure entities wander strange lands lost in time and space. These stories are woven together into a single saga of darkness, time travel, and subliminal existence.

Poster for Moths (2026). Never been answered.

“Hétérocères” is a short experimental animation about masked, corpse-like figures moving through a surreal world where identity and appearance constantly shift. The film explores themes of conformity, transformation, and hidden emotions through symbolic visuals rather than a clear narrative story.

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