Post-credit scenes: results for “tag: dying”

Poster for Children of Men (2006), awaiting its first vote.

In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.

Poster for 3 Days to Kill (2014). No votes yet on whether it has a post-credit scene.

A dangerous international spy is determined to give up his high stakes life to finally build a closer relationship with his estranged wife and daughter. But first, he must complete one last mission - even if it means juggling the two toughest assignments yet: hunting down the world's most ruthless terrorist and looking after his teenage daughter for the first time in ten years, while his wife is out of town.

Philadelphia (1993) cover. Nothing recorded about its credits.

Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops, their courage overcomes the prejudice and corruption of their powerful adversaries.

Other People (2016). Nobody has said whether there is anything after the credits.

David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”

3 Godfathers (1948) poster. Still unanswered: is there a scene after the credits?

Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.

Film artwork for Splatter Disco (2007), no verdict on the credits.

The owner of a fetish club finds out that, along with dealing with his wife who wants to leave him, his dying father, and the city wanting to close his club, he now has to deal with a psycho killer that's offing his employees and patrons.

Film artwork for The Barbarian Invasions (2003), no verdict on the credits.

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Periphery (2018): nobody has checked the credits yet.

A dying woman wishes to see her family through the good times and the bad times she will miss.

Cover image for Papa (2002), not yet voted on.

Filmmaker Jon Alpert turns the camera on his own family in this intimate portrait of his aging father. As illness and declining vitality reshape his life, the film captures a deeply personal struggle with dignity, humor, and the bonds that hold a family together.

Poster, Three Pages (2018). Nobody has voted on this one.

An unassuming middle-aged accountant learns he has only weeks to live. Rather than tell everyone, Martin determines to learn the three pages of a Bach adagio for piano he'd abandoned as a child. That accomplished, he performs the piece for his wife and friends, completing his life and thanking those who brightened it along the way.

There Be Dragons (2011) poster. The count is still zero.

Arising out of the horror of the Spanish Civil War, a candidate for canonization is investigated by a journalist who discovers his own estranged father had a deep, dark and devastating connection to the saint's life.While researching the life of Josemaria Escriva, the controversial founder of Opus Dei, the young journalist Robert uncovers hidden stories of his estranged father Manolo, and is taken on a journey through the dark, terrible secrets of his family’s past.

Poster, Tender (2014). Nobody has voted on this one.

A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

Film artwork for Night Silence (2024), no verdict on the credits.

A theatre actor whose health is failing gets admitted to a nursing home. Soon, he starts having nightmares that seemingly become deceptively real. The so-called nightmares were able to make him live in two parallel dimensions.

Movie art for The Theory of Flight (1999), post-credit scene unknown.

Richard is assigned public service after crashing his homemade aircraft, leading him to meet Jane, a young woman dying of motor neuron disease. After they strike up a friendship, Jane asks Richard to help fulfill her deepest wish: to lose her virginity before her death.

Dream (1988). Nobody has said whether there is anything after the credits.

Dream (1988) is a somnambulist short about dreams taking over reality and rendering protagonists inactive.

Memory for Max, Claire, Ida and Company (2005) cover. Nothing recorded about its credits.

At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed

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