Post-credit scenes: results for “tag: emigration”

Key art for A Separation (2011), unanswered on the post-credit question.

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Poster, Boxer (2024). Nobody has voted on this one.

With only his wife by his side, a promising young boxer flees communist Poland to chase his dream of becoming the greatest fighter in history.

Poster for Angela's Ashes (1999). Never been answered.

An Irish Catholic family returns to 1930s Limerick after a child's death in America. The unemployed I.R.A. veteran father struggles with poverty, prejudice, and alcoholism as the family endures harsh slum conditions.

Nanny (2022). Nobody has said whether there is anything after the credits.

Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.

Poster for The Emigrants (2021). Never been answered.

Sweden, 1849. A poverty-stricken family decides to move to America in the hope of finding a better and more prosperous life. Although they know the journey will be dangerous and the pressure of facing a new life in a strange and wild land is great, they are determined to succeed.

Poster for Golden Door (2006), blank on post-credit scenes.

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

Poster for The Border (1982). Never been answered.

A corrupted border agent decides to clean up his act when an impoverished woman's baby is put up for sale on the black market.

Poster for Nowhere in Africa (2001), blank on post-credit scenes.

A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.

Key art for No Dogs or Italians Allowed (2023), unanswered on the post-credit question.

Early 20th century, in the Ughetto family's home village, Ughettera, Northern Italy. Life in the region had become very difficult and the Ughettos dreamed of a better life abroad. Legend has it that Luigi Ughetto crossed the Alps and started a new life in France, thus changing his beloved family's destiny forever. His grandson retraces their story.

Film artwork for Atlantics (2019), no verdict on the credits.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Image for Bride Flight (2008), a film with no post-credit data.

A romantic drama that charts the lives of three women from different backgrounds, forever changed when they emigrate to New Zealand as war brides.

Nueba Yol: Por fin llegó Balbuena (1995) artwork. Still a mystery after the credits.

Balbuena is a genial illegal immigrant who makes his way to New York City to take a bite out of the Big Apple. But his hopes of finding a better life soon begin to fade as Balbuena encounters one obstacle after another in the hardscrabble, uncaring metropolis.

Key art for A Lady in Paris (2012), unanswered on the post-credit question.

Anne leaves Estonia to come to Paris as a caretaker for Frida, an elderly Estonian lady who emigrated to France long ago. Anne soon realizes that she is not wanted. All Frida wants from life is the attention of Stéphane, her younger former lover. Stéphane, however, is desperate for Anne to stay and look after Frida, even against the old lady's will. In this conflict of strangers, Anne will find her own way…

Poster art for 17 Miracles (2011), an open question on post-credit scenes.

As part of the Willie Handcart Company, Levi Savage (Jasen Wade) feared that leaving late in the season would lead to despair and death. What he came to find out is that for every tragedy, there is a multitude of miracles. Based on unbelievable actual events, and brought to you by filmmaker T.C. Christensen (Praise to the Man, The Work and the Glory), 17 Miracles will open your eyes to the stories of the Mormon Pioneers as you have never seen them before. Something extraordinary is about to happen.

Cover image for Nikita Kino (2003), not yet voted on.

"The film is a travelogue of sorts. In 1960 my family lived in Brazil when my father discovered his sister and brother in Moscow, who he hadn't seen for 40 years, were still alive. Since they couldn't leave the USSR we went to visit them regularly for about 15 years. At the time I had my 8mm then a super 8 camera with which I filmed the family, our outings, picnics, markets and their homes… I decided to use this material, which was not very interesting per se, by mixing it with Soviet found-footage of the same period (1960's, 1970's, 1980's). I used feature films, propaganda footage, newsreels, etc. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my memories of the Cold War period."

La Vida No Vale Nada (1955) poster. Still unanswered: is there a scene after the credits?

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

Quiet Crossing (2019): nobody has checked the credits yet.

45,000 sections of reinforced concrete - three tons each.
 Nearly 300 watchtowers., over 250 dog runs, twenty bunkers.
 Sixty-five​ miles of anti-vehicle trenches—signal wire, barbed wire, beds of nails. Over 11,000 armed guards.
 A death strip of sand, well-raked to reveal footprints. 200 ordinary people shot dead following attempts to escape the communist regime.
 96 miles of concrete wall. Families divided, loved ones lost…

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