Post-credit scenes: results for “tag: exile”

The King's Warden (2026) poster image. Zero votes so far.

In a remote mountain village of 15th-century Joseon, humble headman Heung-do hears a rumor that any village hosting an exiled nobleman will be blessed with abundance and fortune. Hoping to bring prosperity to his impoverished community, he eagerly submits a petition to host one—unaware that his guest is none other than the fallen monarch, deposed boy-king Danjong.

Poster art for The Dressmaker (2015), an open question on post-credit scenes.

In 1950s Australia, beautiful, talented dressmaker Tilly returns to her tiny hometown to right wrongs from her past. As she tries to reconcile with her mother, she starts to fall in love while transforming the fashion of the town.

Film artwork for Fearless (2006), no verdict on the credits.

After going through a series of tragic events in his life, martial arts master Huo Yuanjia returns to Tianjin and must fight four international soldiers, in order to safeguard his nation's pride.

Outlaw King (2018) poster. The count is still zero.

Forced into exile by the English after being crowned King of Scotland, legendary warrior Robert the Bruce fights to reclaim the throne.

Image for Demons (1971), a film with no post-credit data.

Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer, is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that in order to keep her, her debt is exactly 100 ryo.

Key art for Sansho the Bailiff (1954), unanswered on the post-credit question.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

The Bad Batch (2017) poster. Still unanswered: is there a scene after the credits?

After being exiled to a fenced-off wasteland, Arlen is kidnapped by a group of cannibals and goes on a journey to reunite a missing girl with her father.

Movie poster for Ivan the Terrible, Part I (1944), waiting for its first vote.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Goya in Bordeaux (1999) poster. Still unanswered: is there a scene after the credits?

Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.

Image for Before Night Falls (2000), a film with no post-credit data.

Spanning several decades, this powerful biopic offers a glimpse into the life of famed Cuban poet and novelist Reinaldo Arenas, an artist who was vilified for his homosexuality in Fidel Castro's Cuba.

Film artwork for Anastasia (1956), no verdict on the credits.

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.

Magnet of Doom (1963) cover. Nothing recorded about its credits.

Young boxer Michel Maudet is sacked by his manager after a series of match defeats and is forced to look for a new job. He is engaged as secretary to a millionaire named Ferchaux who is in a hurry to flee the country when he discovers he has been implicated in a high-profile fraud.

Poster for Ernest Cole: Lost and Found (2024), blank on post-credit scenes.

More than 60,000 of Ernest Cole’s 35mm film negatives were inexplicably discovered in a bank vault in Stockholm, Sweden. Most considered these forever lost, especially the thousands of pictures he shot in the U.S. Told through Cole’s own writings, the stories of those closest to him, and the lens of his uncompromising work, the film is a reintroduction of a pivotal Black artist to a new generation and will unravel the mystery of his missing negatives.

A World Apart (1988) artwork. Still a mystery after the credits.

A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents, and she must piece together what's happening around her when her father disappears one night, barely evading arrest, and, not long after, her mother is detained by the authorities. Some of Molly's White friends turn against her, and her family's friendships with Blacks take on new meaning. Relationships are fragile in the world of apartheid. How will she manage?

Film poster, In Vitro (2019). No post-credit verdict yet.

In an underground orchard in Bethlehem, decades after an otherworldly ecodisaster, two scientists discuss exile, loss and nostalgia.

Poster for There Will Be Spring (2020), blank on post-credit scenes.

Late 40’s after the war. Strange languaged and religioned immigrants fleeing from Karelia region are hated by Finns in the countryside. 19-year old Anni is living her life wanting to forget the war and hostility surrounding her. Falling in love with a man who hasn’t left fighting, threatens Anni’s whole family’s future and hope for mutual forgiveness..

Image for The Book of Fish (2021), a film with no post-credit data.

When the scholar Jeong Yak-jeon is exiled to Heuksando Island during the Catholic Persecution of 1801, he decides to write a fish-based encyclopaedia.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.