Post-credit scenes: results for “tag: existential”

American Beauty (1999) cover. Nothing recorded about its credits.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Serena Versus (2024) poster image. Zero votes so far.

SERENA VERSUS is an award-winning psychological thriller and surrealist journey about grief, safety, and perception, following a woman whose sense of control begins to unravel as time, memory, and reality blur.

Film artwork for Singularity (2016), no verdict on the credits.

When a quantum phenomenon begins to extinguish starlight and communications in the night sky, plunging Earth into darkness, an astrophysicist and his daughter embark on a desperate mission to an anomaly on the outskirts of the Solar System.

Film artwork for Teki Cometh (2025), no verdict on the credits.

Retired university professor Gisuke Watanabe lives a comfortable but secluded life of affluence in the traditional Japanese house built by his grandfather. One day, an anonymous email threatens his peaceful lifestyle.

Pushover (2023) poster. The count is still zero.

A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.

Poster for Psalms & Lamentations (2026). No votes yet on whether it has a post-credit scene.

'Psalms & Lamentations' is a short film depicting the depth of pain and grief that we so often find in life caused by the struggle of sin, along with, how that relates to our walk with God. This VRChat Short Film is heavily inspired by filmmaker Terrence Malick and loosely inspired by Marcus's testimony and a children's book called "Home Is Right Where You Are" by Ruth Chou Simons. Much of the script is derived from the books, Psalms, Lamentations, Job, Jonah, and other books of the Bible. It is unlike most films in that it exists to relate to the pain and not to the joy in our lives. This provides a very unique viewing experience. Some people find this film extremely deep and moving while others can see the depth but don't feel it as much. Much of how deep it is for someone is heavily determined by what someone's self-talk sounds like.

Movie poster for Smile as You Kill (2023), waiting for its first vote.

With only a few months to live, a desperate man kidnaps a successful advertising director and makes one demand: Create an online campaign to pay for treatment - or share his fate.

Idle Hours: nobody has checked the credits yet.

Months after the unexpected death of his wife, an embittered, middle-aged painter flees to a cabin in rural New England where her presence, and more, waits for him.

Key art for Sunday Boyfriends (2026), unanswered on the post-credit question.

In the chaotic sprawl of Mexico City, a Venezuelan immigrant navigates a cycle of failed dates and binge eating to fill the void of a lost relationship, only to realize that reclaiming his own joy is a radical act of resistance worth fighting for.

Pale Autumn cover. Nothing recorded about its credits.

In the deep of autumn, a woman faces fragments of memory and unease, unsure if she's mourning the past or herself.

Film artwork for Kensho at the Bedfellow (2017), no verdict on the credits.

Reeling from his sister’s death, a NYC playwright searches for fulfillment in a sex-and-drug filled odyssey. When he’s reunited with a childhood love, their shared journey of self-discovery catalyzes a profound, existential awakening.

Poster for & Nothing More (2025). Never been answered.

Two girls, Anne and Daisy, have a late-night conversation. Daisy, a free spirit, and Anne, quiet but profound, share a moment of connection, with a subtle bond growing between them.

Film artwork for Precipice (2026), no verdict on the credits.

A reckless group of teens on the run from the ever approaching future engage in a downward spiral of drug abuse, violence, and existentialism.

Poster for Orangutan (2021), awaiting its first vote.

A vivacious aspiring social worker brings together five peculiar strangers to help solve their existential problems but finds herself in way over her head.

Poster for Existence (2005), awaiting its first vote.

After reading I Am the Sultan of the Law of Existence by Youssef Idris, a five-day journey through Egypt’s Western Desert, traveling from north to south., covering 2,800 km and shooting for 35 hours, the expedition became both physical and existential. The desert’s vastness and silence echo the text’s meditation on the relationship between man, nature and the universe, transforming the landscape into an active force that reshapes perception and confronts the nature of existence.

Poster for If Only (2026), blank on post-credit scenes.

A story about being in many realities at once. Sometimes one at a time, sometimes all at once.

Poster for Ship of Fools (2026). Never been answered.

Always the last to know, filmmaker Jon Beaton learns of his autism late in life – a diagnosis that brings liberation and mourning in equal measure. Seeking company, he turns to four figures who may have missed the memo entirely: Charles Darwin, Ludwig Wittgenstein, Émile Reynaud, and the Buddha. Beaton builds a praxinoscope – Reynaud's own invention – to bring them back to life.

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