Post-credit scenes: results for “tag: experiential”

Insomnia (2025) artwork. Still a mystery after the credits.

Natalia struggles with relentless insomnia and seeks comfort in hypnotherapy. An experimental treatment plunges her into surreal inner worlds where her deepest fears—death, failure, and loss—manifest as haunting revelations. Guided by her therapist, she travels through a dangerous mental labyrinth, where each world shifts unpredictably between redemption and ruin. Insomnia is a science fiction short film that uses artificial intelligence as a tool to delve into the depths of the human psyche.

The Little Sheriff (1971) cover. Nothing recorded about its credits.

A young boy with such little to do, wanders around Sydney playing sheriff with his toy gun. However, this state of monotony takes a sudden turn when he encounters a group of older boys.

Poster for Esrime. Never been answered.

Esrime is a juxtaposition of the meditative experience with the cycles of nature. Its is an attempt to transpose the perception of the meditative state to the audiovisual medium, yet the film itself is an object of meditation that interacts with the audience as an experience, instead of a film. Due to this relationship, the experience is unique to every individual that is exposed to Esrime. It is a retreat that leaves room to the audience and takes them away from the fast-paced cycles of our current way of life while creating a space for reflection.

Elementa (2020) artwork. Still a mystery after the credits.

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

Unusable Stock Footage (2025) poster image. Zero votes so far.

A photographer is on a remote island to capture some stock footage. Behind the camera he has several interactions with the locals that leads him to reflect on himself.

Poster for Looking through a Glass Darkly (2023), awaiting its first vote.

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Poster for A CITY W/O A MAP (2021). Never been answered.

Signal communications proliferate across borders. incongruent forms subtracted from form. fractal topographies without document.

Poster for The Tick (2021), blank on post-credit scenes.

The Tick is a black and white short film which explores fear and the manifestation of dreams.

Key art for give ME (2026), unanswered on the post-credit question.

A teen has moved into a new city for his studies. He writes to his mother opening up of his new found addiction.

Movie poster for The Crystal Text (2012), waiting for its first vote.

The Crystal Text is a fleeting, poetic impression of the the fragmented emotional world of Young Moon's music. Amazingly, all of the visual effects are created within the camera, rather than through digital manipulation. The resulting film explores the rhythms inherent in the combination of music and film, as it evokes both memory and gesture to create an audio and visual dialog with the audience.

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