Post-credit scenes: results for “tag: experimental”

Movie art for Cobweb (2023), post-credit scene unknown.

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

Poster art for House (1977), an open question on post-credit scenes.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Film poster, Synchronicity (2015). No post-credit verdict yet.

A daring physicist travels into the past to stop a mysterious woman from stealing his invention. But once there, he uncovers a surprising truth about the machine, the woman, and his own fractured reality.

Poster for Reversal, Apotheosis for the Ages (2025). Never been answered.

Two souls: One seeks to know her life's true essence and the other is haunted by foreign sights of himself, as they both are influenced by an existence beyond human realm—whom continually oversees them across eras, trapping them in a labyrinth of time and the unknown.

Image for Angel (iii) (2026), a film with no post-credit data.

A spectral first-person journey through Los Angeles layers the city across itself as our guide disassociates, giving way to an abstracted daytime ghost story following a woman's splitting of self and perception. ANGEL PROJECT continues.

the winner poster image. Zero votes so far.

Mac, a dejected trans man, begins contemplating sex work to fund his gender affirming surgery.

Movie art for Lapse (2025), post-credit scene unknown.

The creator of an artificial intelligence that helps people with relationships begins to believe that he is possessed by the AI ​​itself. In the same time, a user of the same AI also begins to go crazy, causing the two to fall into a kind of insanity, unable to tell the difference between reality and fantasy.

Poster art for Analogue Natives (2025), an open question on post-credit scenes.

This experimental documentary circulates around interviews with four veterans who worked all their lives in analogue (=celluloid) film laboratories and animation studios in Mumbai, and who all lost their businesses and jobs around 2012–14, when the Hindi film industry went through a drastic shift to digital production. They reflect on the loss of their craftsmanship, but also on the philosophies of their handmade film practice versus readymade digital solutions. While the film drifts into various related and unrelated scenarios, shot on the streets of Mumbai, we learn about the art of living and working under precarious conditions in India and survival strategies in one of the most crowded and commercial cities in the world. Finally everything results in a futile collage of nostalgia and memories, mashed up with the absurd aesthetics of AI slop. An expanded multi-genre documentary within the constraints of the so-called Masala Formula, popularly known from Indian cinema.

Poster art for Bramayugam (2024), an open question on post-credit scenes.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

porto2000 (2026) poster. Still unanswered: is there a scene after the credits?

A sensory journey through Porto in the 2000s, built from visual memories. Through the collection, manipulation and frame-by-frame animation of thousands of photographs drawn from many different lives, the film assembles a collective vision of a city suspended between memory and dreams — a city that no longer exists, or perhaps never existed at all.

Cover image for Mauvais Sang (1986), not yet voted on.

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

Movie art for Felt (2026), post-credit scene unknown.

Eleven year old Ella must face her monsters when confronted with her older sister moving away.

Coisas Sérias (2026): nobody has checked the credits yet.

We see things from the perspective of several bottles of wine, witnessing the chaotic events unfolding at a house party.

Film artwork for TV Land (2026), no verdict on the credits.

After being diagnosed with a terminal illness, Will is given a second chance at life when a disturbed doctor forces him into an experimental procedure. He awakens in a strange world hidden behind a television screen, where reality and fantasy blur together. As he searches for a way back home, Will is forced to confront his past and discover what truly gives life meaning.

Poster for FASITO (2026). No votes yet on whether it has a post-credit scene.

Experimental short film that follows the journey of some friends through the landscapes of Moreno.

Key art for Fuga 22 (2026), unanswered on the post-credit question.

A snappy and hyper-saturated ode and eulogy to growing up in Tegucigalpa, Honduras, and immigrating to Canada. A slice of life through the lens of a camcorder.

Corridor (2011) poster. Still unanswered: is there a scene after the credits?

In this short experimental film, Czech artist Josef Bolf turns an ordinary architectural space into a fragmented psychological journey.

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