Post-credit scenes: results for “tag: female”

Movie art for Camp X-Ray (2014), post-credit scene unknown.

A young woman joins the military to be part of something bigger than herself and her small-town roots. Instead, she ends up as a new guard at Guantanamo Bay, where her mission is far from black and white. Surrounded by hostile jihadists and aggressive squadmates, she strikes up an unusual friendship with one of the detainees.

Film artwork for Fanny (2026), no verdict on the credits.

The ambitious hairdresser Fanny must survive within the demanding world of the Viennese court. When she pays no mind to the existing rules and moralities of the time, she draws the unexpected attention of the Empress, as well as a public audience.

Witchy Ways (2025) poster. Still unanswered: is there a scene after the credits?

When a skeptical woman retreats to a secluded cabin believed to be magical, she falls for its enigmatic witch owner, until dark spells, buried secrets, and a restless ghost threaten their chance at love.

Carta a uma Jovem Escritora (2026) cover. Nothing recorded about its credits.

Carta a Uma Jovem Escritora is a reflection on memory and forgetting, presented through five striking portraits of five Portuguese women writers: Olga Gonçalves, Graça Pina de Morais, Maria Cecília Correia, Alice Sampaio, and Maria Amélia Neto.

Poster for Bare, awaiting its first vote.

Newly single and out of her depth, Daphnée’s hunt to find the one person who saw her accidental 'nude' leads her through a hilariously chaotic journey of self-discovery and modern love.

Cover image for Rewinding Dominoes (2025), not yet voted on.

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.

Film artwork for Sorry, We're Dead (2024), no verdict on the credits.

The ennui of a filmmaker, trapped between aspiration and reality, frames Lana Jing’s quirky, sarcastic, and cinematic-joke filled quarter-life crisis. At her lecture hall job, where aging white men wax on, self-involved, Lana accidentally frames her friend and co-worker when she destroys the only copy of an aging tech-bro’s high-profile lecture. Lana is forced to navigate stop motion animation, a secret admirer, and terrible bridge traffic to sort out a way forward to her destiny… kinda.

Poster for How Brief (2026), awaiting its first vote.

HOW BRIEF is a disappearing act set over the course of one night in 1962 when a restless woman returns to her childhood home for the last time, inspired by the music of singer-songwriter Connie Converse.

Poster for Three Minutes (2025). No votes yet on whether it has a post-credit scene.

Recently moved in together, Magnolia and Cecilia face the anxiety of waiting for the result of a pregnancy test. For three minutes, the world stops and time stretches; silence and uncertainty become an abyss separating them from the moment that could change everything.

So, Where is Nataša? (2024) poster image. Zero votes so far.

Sanja returns to her village to sell her old house, but as soon as she arrives, her childhood friend Nataša shows up and insists they hang out. As they go through the village and revisit old memories, Sanja senses something is off with Nataša.

R52.9 Pain, unspecified (2025) artwork. Still a mystery after the credits.

Period pain varies greatly in terms of its form and intensity. It is not easy to describe in words, and it is often trivialized and dismissed. This film aims to break this taboo and visualize the feeling of having a period based on personal experiences, making it more tangible.

Poster for The Meaning of a Ritual (2023). No votes yet on whether it has a post-credit scene.

An empathic, young plant doctor gifted with extrasensory powers and an emotionally fragile, isolated artist, must rescue each other to rediscover the essence of living. A coming of age story about two women from different generations, who have more in common than they are willing to admit.

Cover image for Pack Rat (2024), not yet voted on.

In rural New Zealand, a fifteen-year-old girl fights to keep her place among the pack of boys she has grown up with. As day turns to night, she falls into a power game with the pack's alpha - but it is the wrestle within herself that proves to be her hardest challenge.

Amor y Asfixia (2020) cover. Nothing recorded about its credits.

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

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