Post-credit scenes: results for “tag: femininity”

Cuties (2020) poster. The count is still zero.

Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.

Movie poster for My Worst Enemy (2026), waiting for its first vote.

Valeria and her former high school classmates reunite twenty-five years later at the place where they shared their last unforgettable summer. During the reunion, old rivalries resurface, leading them into hilarious situations where they will discover the true value of friendship and the weight of the past on the present.

The Rye Horn (2023): nobody has checked the credits yet.

Maria is a shellfisherwoman and midwife in a small village in the Illa de Arousa in 1970s Galicia. After an unexpected event, she is forced to flee to Portugal.

Poster for Syrenka: Legend of the Warsaw Mermaid. Never been answered.

On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.

Image for Burlesque (2025), a film with no post-credit data.

Student documentary exploring the world of burlesque as a space for artistic expression and personal liberation, where performers channel their creativity and sensuality. Through their voices, they speak about the power of the stage to reconnect with their bodies and establish a deep connection with the audience. Burlesque is presented as a feminist, inclusive, and supportive environment, celebrating gender and body diversity. The action takes place at the Wiggle Room, located in Montreal. It is the only burlesque cabaret in Canada, known for its warm atmosphere and strong sense of community.

Key art for Days (2023), unanswered on the post-credit question.

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

GORE artwork. Still a mystery after the credits.

Aniela, a sculpture student, suffers from skin picking disorder. When her art gets challenged, her condition deepens and gets more bizarre.

Poster for Sabina (1991), blank on post-credit scenes.

This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.

Bernice Bobs Her Hair (1976) poster. Still unanswered: is there a scene after the credits?

Bernice, a shy young woman, leaves her safe home to go visit her flapper cousin. When her cousin tries to teach Bernice how to be much more modern, Bernice gives her much more than she bargained for.

Key art for Secret Society (2000), unanswered on the post-credit question.

Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.

Poster for Chiquita (2023), awaiting its first vote.

Briana has just turned 12 and notices that her friends are starting to like boys, which triggers insecurities about her own personal and bodily development. She is confronted with various situations that make her feel seen by others, after a frank conversation about her insecurities with her older sister, Briana realizes that growing up doesn't mean not being herself.

Image for Miss Fortune (2022), a film with no post-credit data.

A young queer girl is entered into an eerie beauty pageant, of unknown stakes, that ultimately turns against her.

Image for Healing Waters (2023), a film with no post-credit data.

A visually stunning and thought-provoking biopic documenting the life and career of renowned photographer Linda Troeller. Her work explores the spiritual properties of water and the intricate aspects of female sexuality. The film presents a mesmerizing narrative that gracefully blends elements of personal discovery, artistry, and feminism.

Poster for Women Reply (1975). No votes yet on whether it has a post-credit scene.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

Key art for ANIMA (2025), unanswered on the post-credit question.

Two young writers in the task of writing a screenplay about a bullfighter, question his relationship with the bulls. This leads them to discuss masculinity and what a man is.

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